Name: A Little More Time with Reigning Sound
Brand: Reigning Sound

Bonus disc

Bonus disc: No

Catalogue number

MRG760LPC3

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Colour

Pink

Colour details

Translucent Pink/Opaque Purple

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Discogs ID

[r18848782]

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Format multiplier

Download code

Download code: Yes

Rough Trade Exclusive

Rough Trade Exclusive: Yes

Extended format

Extended format: Yes

Format detail

Housed in Gatefold Sleeve with Spot Gloss Detail.

Format Music GB

Limited edition

Release date

2021-05-28

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

0673855076041

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Total Cap

1 / Extended format: Yes / LP / Rough Trade Exclusive: Yes / Signed copies: No / pink

MRG760LP

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Black

[r18823081]

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Rough Trade Exclusive: No

Extended format: No

0673855076010

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Reigning Sound

Genre GB

Garage / Surf / Trash

Label GB

Merge Records

Vinyl variants, bonus material and signed editions exclusively available from Rough Trade.

Merge Records is an independent record label based in Durham, North Carolina. Founded in 1989 by Laura Ballance and Mac McCaughan, it started as a platform to release music from their band Superchunk and their friends' creations. Over the years, Merge Records has grown to include talented artists from all over the world, with some of their records even reaching the top of the Billboard music charts.
With its headquarters nestled in Durham, North Carolina, Merge Records has become a renowned name in the music industry. The label was established by Laura Ballance and Mac McCaughan back in 1989 with a vision to share their own musical endeavors as well as support fellow musicians within their circle.
What began as a humble endeavor quickly flourished into something much greater. Today, Merge Records boasts an impressive roster of artists spanning various genres and backgrounds. From indie rock to experimental pop, *Superchunk* paved the way for other talented musicians to join forces under this esteemed label's umbrella.

Reigning Sound is an American garage punk band that was originally based out of Memphis, Tennessee and is now located in Asheville, North Carolina. Known for their raw and energetic sound, they have gained a loyal following over the years.
In June 2022, the band announced that they were splitting up, marking the end of an era for their fans. Despite this news, Reigning Sound's impact on the music scene will not be forgotten.
If you enjoy *The Dirtbombs*, *The Gories*, or *Oblivians*, then Reigning Sound's music is sure to resonate with you. Their unique blend of garage rock and punk influences sets them apart from other bands in the genre.

A Little More Time, Reigning Sound’s seventh proper full-length, is the original lineup’s first in-studio collaboration since 2005’s Home for Orphans LP, which Merge reissued last year. Ultimately, that 2020 reissue laid the groundwork for the outfit’s reunification. Cartwright explains, “When Merge reissued Home for Orphans, we booked a little string of shows with the original lineup. We still love to get together and play every couple years.” The short reunion tour wrapped just as pandemic hit the United States. Soon after, Cartwright found himself with a batch of new songs. With Reigning Sound’s current lineup based in New York City, then a COVID-19 hotspot, Cartwright made the decision to produce the new record back in Memphis—though he did regret not being able to work with the players behind 2014’s Daptone-recorded Shattered. “It was not something I anticipated, making a record with the original lineup again,” Cartwright says. “Mainly, because I had guys I was playing with, and we had an established dynamic that was working.

In addition to working with old bandmates, Cartwright enlisted acclaimed producer Scott Bomar (Al Green, William Bell) at Electraphonic Recording, to produce in downtown Memphis. “Scott was in a band called Impala for many years,” Cartwright recalls. “And he also played bass with me and Jack [Yarber] on the Compulsive Gamblers’ Bluff City album. He has the machine I like to record on, a Scully one-inch 8-track. I’ve worked on one-inch 8-tracks for the last four records, and I’m kind of addicted.” While having 24 tracks offers up more capability for overdubs, Cartwright prefers the limitations of 8-tracks. “It’s super helpful when you get to the mixing process and your head isn’t still going, ‘What should I add?’ It helps streamline the process, and it helps so I can focus on what’s there instead of what’s not. Then I can just work on the sound.” For the new LP, Cartwright employed a string section, an additional percussionist, and a pedal steel player on some of the tracks. Beyond that, Coco Hames (The Ettes, Parting Gifts) sings co-lead vocals on “Just Say When.”

“Let’s Do It Again,” the album’s boisterous opener, captures the mundaneness and yearning that isolation creates, but with Reigning Sound’s signature foot-stomping rock ’n’ roll. It’s also delivered with optimism and a desire to reconnect with people. Elsewhere, on tracks like “I’ll Be Your Man,” the LP decelerates and shifts into moody ballad territory. Rounding out A Little More Time is a raucous cover of Adam Faith’s “I Don’t Need That Kind of Lovin’.” The 1965 single is a longtime staple at Reigning Sound shows, but this is its first appearance on record.

“When I write songs, it’s the melody I write first. The melody dictates what the mood is whether it’s about being happy, confused, sad, lonely… The melody speaks to a feeling. From there, my job is to translate that feeling into words. I try not to be too structured in how I think about that because the more ambiguous it is, the more people can read their own story into what you’re saying, and I think that’s important. On some level, I consciously don’t want to know what a song is about.”

Ambiguities aside, the LP closes with the poignant “On and On,” a song that reminds us that despite all of the highs and lows we face, “love is still a choice… love is the only choice.” It offers a glimmer of light. These days, that’s not a bad note to end on.