Name: La Vogue
Brand: Serge Blenner

Bonus disc

Bonus disc: No

Catalogue number

BB324LP

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2019-11-08

Signed copies

Signed copies: No

Supplier GB

Shellshock

Tax rate GB

Standard:20

UPC / Barcode

4015698795561

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

BB324

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4015698589610

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Serge Blenner 

Genre GB

Krautrock

Label GB

Bureau B

Bureau B is an independent record label, music publisher, and booking agency based in Hamburg, Germany. Founded in 2005 by Gunther Buskies as a sister label to Tapete Records, Bureau B specializes in releasing a diverse range of electronic and avant-garde music. With a focus on reissues and new productions, the label has built an extensive catalogue that includes iconic albums from the Krautrock genre of the 1970s and early 1980s. They also release recordings by influential artists such as Die Wilde Jagd, Kreidler, Toulouse Low Trax, and more.

Known for their commitment to preserving classic electronic music, Bureau B has been rereleasing albums from renowned artists like Cluster, Faust, Moebius, Roedelius, Plank, Schickert Schnitzler Tietchens Tyndall. In addition to these reissues, they also release works by similar artists including Blenner Heldon Pinhas Rev or NDW Plan Pyrolator.

With their impressive catalogue and dedication to promoting innovative music across various genres within the electronic spectrum - from pop to avant-garde - Bureau B continues to be a prominent force in the global music industry. Their contributions have solidified them as an authoritative figure in the world of independent labels.

Reissue (originally released 1980 on Sky records). Music for the apocalyptic eighties Deutschland state of mind. When Serge Blenner left his native France for Hamburg, West Germany, neither he nor anyone else could have guessed that he would inadvertently compose a soundtrack for the Cold War. But his dark, monotone synthesizer album La Vogue (1980) turned out to be just that. You don't get to make 17 albums and stay out of the public eye unless you live and breathe music. Focus on nothing else. Commercial success may come your way, but will always be subordinated to the goal of making music on your own terms rather than music designed to sell. Listener, meet Serge Blenner. Blenner was born in 1955 in Alsace, the easternmost region of France. He studied composition and harmony at the Conservatoire de Mulhouse. He loved listening to electronic music from the Berlin School: Klaus Schulze, Tangerine Dream, Ash Ra Tempel / Manuel Göttsching, whom he got to know when they played in Alsatian churches and chapels. Such locations added a magical dimension to what was already extraordinary music. Blenner the proselyte had seen enough to realise: it was time to move to Germany, whence this music came. The year was 1975. He soon began experimenting with electronic music himself and graduated to live performances by 1978 and finally settled in Hamburg in 1979.

One of the most important electronic music labels of the period, Sky Records, was based here, releasing music by such illustrious artists as Cluster, Michael Rother, Brian Eno and Conny Plank. Within the space of six months Blenner had recorded the tracks which would become La Vogue and sent them to Sky Records. A deal was done and La Vogue was officially released before the year ended. The record was a resounding success, some tracks even made it onto the radio - crucially, aired at hours of the day when significant numbers of listeners were tuning in, instead of being confined to the niche programmes or graveyard shifts more commonly associated with the genre. The longest track on La Vogue by far clocks up 8 minutes, 49 seconds, a rarity in Blenner's oeuvre, well outside his usual range of three to five minutes. La Vogue is an album of two halves. Through the first four tracks, Blenner still seems to be searching for his own style, beginning with the minimalistic, rather sombre fanfare of Phrase I built around a single melodic pattern. Next up is the almost poppy, harmonically rich Phrase II, followed by the spherical Phrase III and the crystalline, chiming Phrase IV. If the first four cuts are linked only by heterogeneity, tracks five to eight are very much of a piece. Together they represent a frosty, menacing soundtrack worthy of the apocalyptic mood which hung over the early 1980s, particularly in West Germany.

La Vogue

Music GB