James Ruskin and Mark Broom are back as The Fear Ratio with their third album They Can’t Be Saved.
Several years and various solo productions later, The Fear Ratio return with an album that solidifies their reputation as experimental producers. From the ethereal opening bars of Sender slowly twisting into a brooding dub breakbeat, to the staccato, bugged out atmospherics of Grey Code, ghostly electronics of Small World, tripped out, schizophrenic hip hop haunting bass of Game Plan and sun-dappled keys of The Final Vision Broom and Ruskin flex their techno muscles ever further beyond the floor.
They Can't Be Saved
They Can't Be Saved
James Ruskin and Mark Broom are back as The Fear Ratio with their third album They Can’t Be Saved.
Several years and various solo productions later, The Fear Ratio return with an album that solidifies their reputation as experimental producers. From the ethereal opening bars of Sender slowly twisting into a brooding dub breakbeat, to the staccato, bugged out atmospherics of Grey Code, ghostly electronics of Small World, tripped out, schizophrenic hip hop haunting bass of Game Plan and sun-dappled keys of The Final Vision Broom and Ruskin flex their techno muscles ever further beyond the floor.