Name: Debt Begins at 30
Brand: The Gotobeds

Bonus disc

Bonus disc: No

Catalogue number

SPCD1303

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2019-05-31

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

0098787130324

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

SP1303

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Black Vinyl with Download.

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0098787130317

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

The Gotobeds

Genre GB

Alternative / Modern

Label GB

Sub Pop

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

The Gotobeds are an indie rock outfit hailing from Pittsburgh, Pennsylvania. With their energetic and raw sound, they have become a staple in the underground music scene. Drawing inspiration from punk and post-punk influences, The Gotobeds deliver catchy hooks and witty lyrics that captivate audiences.

Similar to bands like B Boys, The Men, and Flasher, The Gotobeds have carved out their own unique sound within the indie rock genre. Their music combines elements of garage rock with infectious melodies and driving rhythms. Fans of Omni, Meat Wave, and Tyvek will find themselves drawn to The Gotobeds' raw energy and unapologetic attitude.

Having shared stages with notable acts such as Protomartyr, Priests, and Total Control, The Gotobeds have proven themselves as a force to be reckoned with in the live setting. Their performances are filled with passion and intensity that leave audiences wanting more.

The Gotobeds return to the fray with their third full lengther, Debt Begins at 30. The esprit de corps and anxiety-free joy that permeates their other LPs and EPs remains intact. The octane is high-test, the engine still has knocks and pings and the battery is overcharged. The Gotobeds - as Pittsburgh as it gets, the folk music of the Steel City - have more tar for us to swallow. Debt Begins at 30 is an old-fashioned blast furnace and the liquid iron flows. The album's first single, Calquer the Hound, features guest performances by Kim Phuc singer Rob Henry, and Evan Richards of The City Buses. (The album has guests on all eleven tracks. The song has euphony, a sly bridge, plenty of trademark bash, and a spacey outro. It's a sanguine album opener, more Al Oliver than Starling Marte, to put it in Pittsburgh Pirates terms.

LP+ - Limited Loser Opaque Orange Coloured Vinyl with Download.

Debt Begins at 30

Music GB