Name: The Big Exercise
Brand: The Homesick

Bonus disc

Bonus disc: No

Catalogue number

SP1339X

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Colour

Yellow

Colour details

Discogs ID

Format multiplier

Download code

Download code: Yes

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Format Music GB

Limited edition

Release date

2020-02-07

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

0098787133905

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Total Cap

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / yellow

SP1339

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Black

Extended format: No

0098787133912

{"blocks": [{"data": {"text": "0098787133912"}, "type": "paragraph"}]}

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

The Homesick

Genre GB

Alternative / Modern

Label GB

Sub Pop

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

The Big Exercise, the second album by Dutch band The Homesick, and their first for Sub Pop, finds the group keenly second-guessing their core chemistry as a live unit, imbuing their angular post-punk workouts with baroque elements such as piano, acoustic guitar, percussion, and even clarinet.

Opening track What’s In Store was in part inspired by bassist Jaap Van der Velde’s unprompted deep dive into the world of national anthems, making his own attempt to conjure a similarly timeless melody. The song seamlessly bleeds into the chivalrous prance of Children’s Day and the fragmented Pawing, righteously encouraging Erik Woudwijk’s nimble, cerebral drumming to become the band’s driving force. The headstrong wanderlust of The Big Exercise is fitting, given The Homesick’s exodus as a small-town Dutch band ready to trot the world. Contrary to the quest for belonging, roots, and provenance found on their debut album, Youth Hunt, the band’s creative trajectory is now dictated by a sense of otherness and imagination. The sharp contrasts are ever-present; the music’s new sonorous depth is underpinned by wry meditations on family ties, alternate realities, and commonplace encounters. As the band’s chief lyricists, Elgersma and Van der Velde deliberately keep each other in the dark, allowing the syntax of words and music to entangle in surprising – sometimes delightfully absurd – ways. I Celebrate My Fantasy, for example, summons a mirage of creeping pianos, sylvan clarinet flourishes and cartoonish sprawls with mock-paranoia, as Elgersma documents a macabre vision he had during a mild case of sleep paralysis.

True to the band’s method of holding the more mundane, fleeting moments under a magnifying glass, closing track Male Bonding pulls a wide range of movements out of the top hat: the album’s rare heavy burst is promptly mediated by almost medieval-sounding prog rock-flirtations. The Homesick have made a record impregnated with impressions that still fit neatly under the pop umbrella. The album title’s nod to Scott Walker - “the big exercise” is a phrase pulled from a passage in Walker’s biography, Deep Shade of Blue - isn’t an aberration either: straddling pop sonority and the cacophonous fringes is something well worth aspiring.

The Big Exercise

Music GB

Buy The Homesick - The Big Exercise (Vinyl, CD) now from Rough Trade - independent purveyors of great music, since 1976.