Name: No Sad Songs
Brand: The Lilac Time

Bonus disc

Bonus disc: No

Catalogue number

tr310lp

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2015-04-02

Signed copies

Signed copies: No

Supplier GB

Shellshock

Tax rate GB

Standard:20

UPC / Barcode

4015698000382

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

tr310

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4015698000672

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

The Lilac Time

Genre GB

Indie Pop / Shoegaze

Label GB

Tapete

Welcome to Tapete, an independent record label based in Hamburg, Germany. Founded in 2002 by Gunther Buskies and Dirk Darmstaedter, Tapete has become a prominent force in the music industry. With a diverse roster of talented artists and performers, we strive to bring you the best in music across various genres.

At Tapete, we are passionate about supporting emerging talent and providing a platform for them to showcase their artistry. Our dedication to quality and innovation has earned us a reputation as a trusted source for exceptional music.

With our *labelcode* LC 12227, we offer an extensive catalog of releases that span multiple formats. From vinyl records to CDs and digital downloads, we ensure that you can enjoy your favorite music in the format that suits you best.

The Lilac Time is a British indie rock band that formed in 1986 in Herefordshire, England. With their unique blend of folk and pop influences, they have captivated audiences around the world for over three decades. Their heartfelt lyrics and melodic soundscapes have earned them a dedicated fanbase and critical acclaim. Whether you're a long-time fan or new to their music, The Lilac Time's timeless songs are sure to leave a lasting impression.
Since their formation, The Lilac Time has released numerous albums that showcase their musical versatility and storytelling prowess. From introspective ballads to upbeat anthems, each song is crafted with care and passion. Their distinct sound combines elements of acoustic guitar, piano, strings, and rich harmonies to create an enchanting listening experience.
Over the years, The Lilac Time has toured extensively and shared stages with renowned artists from various genres. Their live performances are known for their intimate atmosphere and genuine connection with the audience. Whether performing at small venues or large festivals, The Lilac Time's energy on stage is infectious.

A prose-poem, which Stephen Duffy composed especially for the release of the new and ninth album by his band The Lilac Time, contains the lines: "I was a flower child, now I'm a flower man." It took a long time before one became the other. When viewed from space, Stephen Duffy's path may well appear labyrinthine, filled with loopholes and trapdoors. Yet a sober perspective reveals path of a musician and poet who is independent in the very best sense of the word. Nevertheless: A lot has happened since the young boy kept his Praktica camera trained on street scenes in the Birmingham of the Cold War. Back in 1979, an 18-year-old Stephen Duffy was founding member of Duran Duran. Yet he did not board the train to superstardom. The visionary instinct of the young artist had other intentions. He might have had Bob Dylan, Nick Drake and The Incredible String Band in mind, but he himself was not allergic to success. He quickly understood that a songwriter with an acoustic guitar had little access to the merry-go-round of the charts in the early eighties. Instead, he emerged as Stephen 'Tintin' Duffy, trading his guitar for a synthesizer and making chic, clever and sparkling Pop music in capital letters. The young man with the melancholy expression even landed two international hits with Kiss Me and Icing on the Cake. But before the record company was able to put their plan into action and turn Duffy into the next Rick Astley, he took flight. He mothballed his pop persona and founded a band with his brother: The Lilac Time. On their debut in 1987, they made what Stephen had long dreamed of: Flower Music. The single Return to Yesterday conjured visions of Simon and Garfunkel. In an era of slapping basses and smacking snares, the instrumentation was exceptional: mainly acoustic, with guitars, banjos, fiddles and accordions, all beautifully arranged by Nick Duffy, who was also responsible for composing the instrumental pieces on the record. Keep in mind that the New Acoustic Movement, which brought forth bands like Belle And Sebastian and The Kings Of Convenience, was still more than ten years away. Often in diametrical contrast with this melancholy folk pop were Stephen Duffy's lyrics, with descriptions of suburban tristesse placed seamlessly alongside biting commentary on the issues of the times and courageous reports of the singer's moments of excess and aventures amoureuses.LP - With CD Version.

No Sad Songs

Music GB