Album artwork for Live at the Electric Theatre Co, Chicago 1968 by  Tim Buckley

These previously unreleased live May 1968 recordings from The Electric Theatre in Chicago can be regarded as works in progress. In real time in front of an audience, Tim (accompanied by an unidentified bass player and his trusty sideman Carter C.C. Collins on congas) is basically thinking out loud as he moves from one musical and/or lyrical idea to another during this Chicago performance.

Mastered by Bill Inglot, the songs include early versions of "Sing A Song For You", "Gypsy Woman", "Dolphins" and "Happy Time". The booklet features annotation by Pat Thomas, based on interviews with Lee Underwood and Larry Beckett.

Tim Buckley

Live at the Electric Theatre Co, Chicago 1968

Demon
Album artwork for Live at the Electric Theatre Co, Chicago 1968 by  Tim Buckley
LPx2

£9.99

Double 180 Gram Vinyl.

Black
Released 22/11/2019Catalogue Number

DEMREC552

Learn more
Album artwork for Live at the Electric Theatre Co, Chicago 1968 by  Tim Buckley
CDx2

£5.99

Released 22/11/2019Catalogue Number

EDSL0052

Learn more
Tim Buckley

Live at the Electric Theatre Co, Chicago 1968

Demon
Album artwork for Live at the Electric Theatre Co, Chicago 1968 by  Tim Buckley
LPx2

£9.99

Double 180 Gram Vinyl.

Black
Released 22/11/2019Catalogue Number

DEMREC552

Learn more
Album artwork for Live at the Electric Theatre Co, Chicago 1968 by  Tim Buckley
CDx2

£5.99

Released 22/11/2019Catalogue Number

EDSL0052

Learn more

These previously unreleased live May 1968 recordings from The Electric Theatre in Chicago can be regarded as works in progress. In real time in front of an audience, Tim (accompanied by an unidentified bass player and his trusty sideman Carter C.C. Collins on congas) is basically thinking out loud as he moves from one musical and/or lyrical idea to another during this Chicago performance.

Mastered by Bill Inglot, the songs include early versions of "Sing A Song For You", "Gypsy Woman", "Dolphins" and "Happy Time". The booklet features annotation by Pat Thomas, based on interviews with Lee Underwood and Larry Beckett.