Name: A Slight Disturbance In My Mind - The British Proto-Psychedelic Sounds Of 1966
Brand: Various

Bonus disc

Bonus disc: No

Catalogue number

CRSEGBOX066

{"blocks": [{"data": {"text": "CRSEGBOX066"}, "type": "paragraph"}]}

Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2020-01-31

Signed copies

Signed copies: No

Supplier GB

Cherry Red (ADA)

Tax rate GB

Standard:20

UPC / Barcode

5013929186606

{"blocks": [{"data": {"text": "5013929186606"}, "type": "paragraph"}]}

Total Cap

3 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Various

Genre GB

Classic

Label GB

Grapefruit

Grapefruit is a UK-based music label that specializes in psych/garage-era music from the 1966-70 timeframe. Managed by Cherry Red, Grapefruit focuses on releasing single-artist career anthologies and definitive versions of rare and classic albums. Each release features sympathetic artwork, rare photos, detailed liner notes, and high-quality sound from the original masters.

Meticulously curated box sets featuring exceptional audio quality, stunning visuals, and exclusive bonus content. Explore genres, eras, and artists to find the perfect addition to your collection.

Box Sets

While the likes of Rubber Soul, See My Friends and Still I’m Sad had served notice in 1965 of British pop’s heightened level of ambition, 1966 would prove to be an even more tumultuous twelve- month period as experimentation and innovation grew to new levels.

The release that August of Revolver – whose cataclysmic closing track Tomorrow Never Knows landed amongst the record-buying public like an impenetrable missile from outer space – brought the concept of psychedelic music out of the margins and into the mainstream.

However, psychedelia – condemned by national newspaper The Sun as “the new and dangerous sound in pop music” – had been percolating throughout the year. The word was already in subterranean use in America, adapted by the likes of The 13th Floor Elevators and Hollywood hustler Kim Fowley, who in late 1965 had become the first person to promote a record with the term “psychedelic”.

Arriving in London in March 1966, Fowley became a proselytising influence for the new sound, instructing bemused young British bands to “act psychedelically”. His sojourn coincided with the relocation of Californian band The Misunderstood, whose incendiary sound and stage act was a major influence on a new generation of British acts. Meanwhile, serial pioneers The Yardbirds were making increasingly audacious music, their new manager Simon Napier-Bell instructed the young John’s Children to become “the first psychedelic group”, while mod band The Creation developed an intriguing pop-art approach.

Featuring 84 tracks, A Slight Disturbance In My Mind: The British Proto-Psychedelic Sounds Of 1966 examines the “experimental pop” element of the British music scene during that epochal twelve- month period with a dizzying, dazzling mix of nascent psychedelia, introspective pop and what’s been retrospectively labelled freakbeat.

It features vital contributions from some of the era’s biggest names (The Kinks, The Yardbirds, The Hollies, The Animals etc), a bunch of highly collectable cult classics, a huge stash of unissued-at-the- time nuggets and early outings for such future legends as Bowie, Bolan, Slade and The Bee Gees.

Housed in a clamshell box containing a 52-page booklet crammed with biographical information and priceless period photos and memorabilia, A Slight Disturbance In My Mind is a glorious snapshot of British pop storming the gates of a new, strange and wonderful dawn.