Album artwork for Everybody’s Lost and All I Want Is to Leave by Victories At Sea

Victories at Sea follow the release of two singles in 2019 with their second studio album Everybody’s Lost and All I Want Is to Leave. Recorded on the shores of Loch Fyne and mixed in their native Birmingham, the album refines and redefines the sound of Victories at Sea.

The location of recording has had a marked influence on the album. The vast landscapes of Loch Fyne are there in the grandeur and sky scraping ambition of the already heard ‘Quiet House’, the changeability of the weather mirrored in the skittering melodies, looming builds and sudden explosion of ‘Late’; the shift from calm to cloud to downpour made melody. The switch from what JP White, lead singer and lyricist describes as being, ‘far from the electric daylight of city evenings’, during recording to that very cityscape created a tension within the album that confronts this nature seeped creation with mechanics and artificiality.

Victories At Sea

Everybody’s Lost and All I Want Is to Leave

Good Deeds Music
Album artwork for Everybody’s Lost and All I Want Is to Leave by Victories At Sea
CD

£14.99

Released 20/03/2020Catalogue Number

GDM039

Learn more
Victories At Sea

Everybody’s Lost and All I Want Is to Leave

Good Deeds Music
Album artwork for Everybody’s Lost and All I Want Is to Leave by Victories At Sea
CD

£14.99

Released 20/03/2020Catalogue Number

GDM039

Learn more

Victories at Sea follow the release of two singles in 2019 with their second studio album Everybody’s Lost and All I Want Is to Leave. Recorded on the shores of Loch Fyne and mixed in their native Birmingham, the album refines and redefines the sound of Victories at Sea.

The location of recording has had a marked influence on the album. The vast landscapes of Loch Fyne are there in the grandeur and sky scraping ambition of the already heard ‘Quiet House’, the changeability of the weather mirrored in the skittering melodies, looming builds and sudden explosion of ‘Late’; the shift from calm to cloud to downpour made melody. The switch from what JP White, lead singer and lyricist describes as being, ‘far from the electric daylight of city evenings’, during recording to that very cityscape created a tension within the album that confronts this nature seeped creation with mechanics and artificiality.