Name: Cry Cry Cry
Brand: Wolf Parade

Bonus disc

Bonus disc: No

Catalogue number

SP1212

Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Black Vinyl housed in Gatefold jacket with custom dust sleeves and etching on side 4 and includes Download.

Format Music GB

Limited edition

Release date

2017-10-06

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

0098787121216

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

SP1212X

Extended format: Yes

Limited White Vinyl housed in Gatefold jacket with custom dust sleeves and etching on side 4 and includes Download.

4059251149996

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1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No

SPCD1212

0098787121223

{"blocks": [{"data": {"text": "0098787121223"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Wolf Parade

Genre GB

Alternative / Modern

Label GB

Sub Pop

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

Wolf Parade is an indie rock band formed in 2003 in Montreal, Quebec. The band consists of musicians from British Columbia and gained popularity with their unique sound and energetic performances. After going on indefinite hiatus in 2011, *Wolf Parade* announced their return to recording and performing in January 2016.

Their music has been compared to other indie rock bands such as Sunset Rubdown, Menomena, Swan Lake, Clap Your Hands Say Yeah, Handsome Furs, Tapes 'n Tapes, Islands, The Walkmen, The Unicorns, The New Pornographers, Destroyer, Ugly Casanova, The Dodos, TV On The Radio,Broken Social Scene,Born Ruffians ,Man Man ,The Wrens ,The Thermals,and Okkervil River.

With a devoted fan base and a reputation for delivering captivating live shows,*Wolf Parade* continues to push the boundaries of indie rock music while staying true to their unique style.

The band itself is almost a fifth member of the band, something more or at least different than the sum of its parts,” says Wolf Parade’s Spencer Krug. “We don't know who or what is responsible for our sound, it's just something that naturally and consistently comes from this particular combo of musicians.” That sound—complex yet relatable, an energetic brew of glam, prog, synth-rock, and satisfying discomfort—helped define 2000s indie rock with three critically celebrated albums, and propelled a growing Wolf Parade fandom even after the band went on hiatus in 2010. A cautious reunion in 2014 led to the release of EP 4 last year and a handful of headlining shows that drew thousands. And now Wolf Parade is back with Cry Cry Cry, their first full-length album in seven years, and a world tour along with it. The band’s first album produced by Pacific Northwest legend John Goodmanson (Bikini Kill, Sleater-Kinney, Unwound) at Robert Lang Studios outside of Seattle, Cry Cry Cry is undeniably Wolf Parade—but with the renewed focus and creativity of a band that took the time to get exactly where we needed to be. The album takes the best parts of what makes Wolf Parade so uniquely electric—the soaring choruses, rousing anthems, sprawling guitars, and chaotic keys—and finds a way to allow the best compositionally prog elements a firm seat at the table. It’s also a homecoming to Sub Pop, which released all three of the band’s previous albums. In their time apart, the band scattered geographically and focused on family and other work – Spencer on his solo project Moonface, Dan Boeckner on his bands Handsome Furs, Operators, and Divine Fits (with Spoon’s Britt Daniel), Dante De Caro on records with Carey Mercer’s Frog Eyes and Blackout Beach, and Arlen Thompson on being a dad and working a “normal” job. This break allowed for an even stronger, tighter Wolf Parade to emerge, if not exactly pick up where they left off. “All of our albums are always a reaction to our last one,” says Arlen. “Expo 86 (2010) was about as sparse as we get, and this time we wanted to make the palette a little larger.” Cry Cry Cry is deliberate in its arrangements and embrace of the studio process. The result is songs like Valley Boy, a Bowie-inflected anthem for which Spencer wrote lyrics after Leonard Cohen died the day before the 2016 election. You’re Dreaming, also influenced by the election and the spinning shock that followed, is driving, urgent power pop that draws from artists like Tom Petty and what Dan calls one of his “default languages” for writing music. The swirly, synth-heavy crescendo of Artificial Life takes on the struggle of artists and at-risk communities. The album carries a sense of uprising that is not unrelated to Wolf Parade’s renewed determination to drive the band forward in uncertain times.

2LP - Black Vinyl housed in Gatefold jacket with custom dust sleeves and etching on side 4 and includes Download.

2LP+ - Limited White Vinyl housed in Gatefold jacket with custom dust sleeves and etching on side 4 and includes Download.

Cry Cry Cry

Music GB