Name: Both Lines Will Be Blue
Brand: Carmen Villain

Bonus disc

Bonus disc: No

Catalogue number

STS349CD

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2019-07-12

Signed copies

Signed copies: No

Supplier US

Orchard

Tax rate US

Sales:8.875

UPC / Barcode

7072822349202

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

STS349LP

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7072822349103

{"blocks": [{"data": {"text": "7072822349103"}, "type": "paragraph"}]}

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Carmen Villain

Genre US

Rock-Pop

Label US

Smalltown Supersound

Carmen Villain is a Norwegian musician known for her diverse range of musical styles. She initially gained recognition for her guitar-driven indie pop sound before exploring more experimental genres such as leftfield electronica, fourth world, and ambient music.

With influences ranging from Roméo Poirier to Sofie Birch, Carmen Villain has carved out a unique niche in the music industry. Her innovative approach to composition and production sets her apart from other artists in the scene.

Collaborating with talented performers like Astrid Sonne and Dylan Henner, Carmen Villain continues to push boundaries and defy genre conventions. Her discography includes captivating releases such as "Whatever The Weather" and "Salamanda," which showcase her mastery of atmospheric soundscapes.

US-born, Norwegian-Mexican artist Carmen Villain releases her third album, Both Lines Will Be Blue, via Smalltown Supersound. Following 2017’s Infinite Avenue and 2013’s Sleeper, Both Lines Will Be Blue is Carmen’s first full instrumental album. A 7 track collection of cosmic excursions and dubby ambient-jams, the album is written, recorded, played, produced and mixed by Carmen in her Oslo studio. The soothing atmospherics are made up of tapestries of field recordings, synths, piano, drum-programming, zither and modular sounds. Throughout, Carmen’s music is colored by experimenting with different sounds and learning new techniques or by adding new instruments to the mix. Prins Thomas appears on the record, playing percussion on I Could Sit Here All Day.

Both Lines Will Be Blue

Music US