With techniques ranging from hypnotism to nocturnal walks to automatic writing, the likes of André Breton, Max Ernst, Brassaï, and Meret Oppenheim produced paintings, drawings, texts, and films in which they sought to excavate their most intimate and primal instincts. The results abound with sexual fantasies, with mysterious, menacing creatures, and with the juxtaposition of seemingly contradictory objects or ideas.
This book introduces the origins and the sensational legacy of the Surrealist movement, one of the most profound and enduring influences on film, theatre, literature, art, and thought.
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