Name: Seeing From Above
Brand: CUB

Bonus disc

Bonus disc: No

Catalogue number

lino79

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2018-07-06

Signed copies

Signed copies: No

Supplier US

Forced Exposure

Tax rate US

Sales:8.875

UPC / Barcode

Total Cap

1 / 12" / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Genre US

Techno / Electro

Label US

Downwards

Vancouver-based cuddlecore trio, CUB, was formed in 1992 by Lisa Marr, Robynn Iwata, and Valeria Fellini. After the release of their debut album "Betti-Cola" in 1993, Fellini left the band and Lisa G. joined permanently as the drummer. Cub released multiple singles and three albums on Mint Records before disbanding in 1996. In 1997, a collection of non-album tracks and favorites was released by Au Go Go.

Lisa Marr handles vocals and guitar duties for CUB while Robynn Iwata plays bass. Valeria Fellini served as the drummer from 1992 to 1993 before being replaced by Lisa G., who remained with the band until their breakup in 1996.

With their unique blend of cuddlecore music, CUB gained a dedicated following during their active years. Their discography showcases their talent and creativity within the genre. Despite disbanding over two decades ago, CUB's music continues to resonate with fans worldwide.

Long-awaited return of Regis killer, slower CUB alias. Features Simon Shreeve (Monic, Kryptic Minds). Hybrids of industrial techno and D&amp;B rolige. Master and vinyl cut by Matt Colton. 500 Copies. Karl O’Connor (Regis) revives his cult CUB project with Simon Shreeve (Mønic) now in tow for three stripes of dark and dead sexy techno rolige Where O’Connor’s original pair of CUB 12”s worked at an unusual 113bpm flow, and included killer remixes with Ancient Methods under their Ugandan Speed Trials (UST) alias, the project’s 3rd outing features a reshuffled personnel and a broader range of tempos while remaining true to the original, grungy CUB aesthetic. A-side, with D&amp;B-turned-techno producer Simon Shreeve on board, the pair push the gauge to 125bpm on Seeing From Above for a proper, roguish shoulder barger activating reinforced drums and sloshing, syncopated bass into a nightmarish, un-safe space ripe for the dancers. B-side, they return to the project’s slower tempos with the grumbling subsidence of Informal Beauty exploring a sagging rut of prolapsed bass below aching blue drones, and Primitive Sleep finds them all hands on deck for a dry, scaly, and stony-faced drill that sounds like the Regis remix of Ike Yard’s Loss that just found itself in a Berlin or NYC darkroom and doesn’t quite know how it got there.

Seeing From Above

Music US