Helado Negro recorded Double Youth, his fourth LP, in his home studio with a computer, his voice, and telepathic input from a poster he found buried in a closet in his childhood home. Seeing the poster evoked a sudden rush of memories, but also a sense of isolation and separation. Who was this person in the photo? And what else had Helado Negro forgotten? The poster's impact was so significant, it framed a new recording process for HeladoNegro and now serves as cover art, title, and the conceptual framework for the lyrics and song structures.Helado Negro certainly owes something to his contemporaries, Bear in Heaven, Young Magic, Empress Of, Prefuse 73, and School of Seven Bells, but Double Youth is more a spiritual long lost cousin to the great masters of funk, like Parliament, Prince, and George Duke, whose finely tuned beats married the ear with the body in new ways. Bass drum machines in Double Youth pulse like a robot dance movement. Bass undercurrents fuzz. Sine waves tickle the brain stem. The melodies weave through the air like a fish. And Helado Negro's voice, which grows more and more confident with each record, is a cool, clean dance partner to the beat and melody.