Kali Malone presents a new album featuring nearly two hours of concentrated pipe organ pieces governed by a strict acoustic and compositional code. It's a major new work with ultimately profound emotional resonance. The Sacrificial Code takes a more surgical approach to the methods first explored on Organ Dirges 2016-2017(ASCETICKALI). Over the course of three parts performed on three different organs, Malone's minimalist procedure captures a jarring precision of closeness, both on the level of the materiality of the sounds and on the level of composition. The recordings of The Sacrificial Codeinvolve careful close-miking of the pipe organ in such a way as to eliminate environmental identifiers as far as possible -- essentially removing the large hall reverb so inextricably linked to the instrument. The pieces are then further compositionally stripped of gestural adornments and spontaneous expressive impulse -- an approach reminiscent of Steve Reich's words, "by voluntarily giving up the freedom to do whatever momentarily comes to mind, we are, as a result, free of all that momentarily comes to mind." With its slow, purified, and seemingly austere qualities, The Sacrificial Code guides you through an almost trance-inducing process where you become vulnerable receptors for every slight movement, where every miniature shift in sound becomes magnified through stillness. As such, it's a uniquely satisfying exercise in transcendence through self-restraint -- a stunning realization of ideas borne out of academic and conceptual rigor which gradually reveals startling personal dimensions. It has a perception-altering quality that encourages self-exploration free of signposts and without a preordained endpoint -- the antithesis to the language of colorless musical platitudes we've become so accustomed to. Features additional organ pieces performed by Ellen Arkbro. Art and photography by A.M. Rehm. Mastered and cut by Rashad Becker.