Name: Starless and Bible Black
Brand: King Crimson

Bonus disc

Bonus disc: No

Catalogue number

DGLO679106.1

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

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Format Music US

Limited edition

Release date

2017-03-21

Signed copies

Signed copies: No

Supplier US

Tax rate US

Sales:8.875

UPC / Barcode

633367910615

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

King Crimson

Genre US

60s & 70s

Label US

DISCIPLINE GLOBAL MOBILE

King Crimson is one of the pioneers of the progressive rock genre. Formed in 1969, their first line-up included guitarist Robert Fripp, lyricist and lighting man Peter Sinfield, composer and multi-instrumentalist Ian McDonald, bassist and vocalist Greg Lake, and drummer Michael Giles. They released the seminal album "In the Court of the Crimson King" in 1969 before undergoing several personnel changes. The band evolved over the years, experimenting with fusion and improvisation in their live performances. In 1981, they changed their name to King Crimson and released three studio albums with a new line-up. After a hiatus, they reformed again in 1994 as a double trio and continued to release music through various spin-off groups. Their extensive back catalogue makes them one of the most influential rock bands ever.

In 2000, King Crimson underwent another transformation with a new line-up that excluded Bill Bruford and Tony Levin. They released "The ConstruKction of Light" in 2000 before Tony Levin rejoined the group. In 2008, they embarked on a 40th Anniversary Tour with Gavin Harrison joining as a new member. Despite Robert Fripp's retirement announcement in 2012, King Crimson returned in 2014 with yet another line-up for touring purposes.

The current incarnation of King Crimson features Robert Fripp (guitar), Mel Collins (saxophones, flute), Tony Levin

Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring, elegant, and delicate violin and Mellotron parts scattered throughout its 41 minutes, often all in the same songs. The album was on the outer fringes of accessible progressive rock, with enough musical ideas explored to make Starless and Bible Black more than background for tripping the way Emerson, Lake &amp; Palmer's albums were. "The Night Watch," a song about a Rembrandt painting, was, incredibly, a single release, although it was much more representative of the sound that Crimsonwas abandoning than where it was going in 1973-1974. More to that point were the contents of side two of the LP, a pair of instrumentals that threw the group's hardest sounds right in the face of the listener, and gained some converts in the process.

Starless and Bible Black

Music US