Name: Moments
Brand: Michael Vincent Waller

Bonus disc

Bonus disc: No

Catalogue number

UW027lp

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Format Music US

Limited edition

Release date

2019-10-04

Signed copies

Signed copies: No

Supplier US

Secre­tly

Tax rate US

Sales:8.875

UPC / Barcode

744790142518

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Total Cap

2 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No

UW027cd

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Extended format: No

744790142501

{"blocks": [{"data": {"text": "744790142501"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Michael Vincent Waller

Genre US

Modern Composition

Label US

Unseen Worlds

In essence, the sound of the piano comes in two parts: its attack and its decay. The striking of a hammer is followed by the resonance of a string or strings. (Much the same might be said about the vibraphone, as it happens.) This dual quality of sound comes to mind when listening to Moments by New York-based composer Michael Vincent Waller. Performed by pianist R. Andrew Lee and vibraphonist William Winant, Moments - his third album, following Trajectories and The South Shore - draws on Western classical music tradition in its most archetypal forms through its use of modal melodies, triadic harmonies and metered rhythms. Yet the emotional heart of the music is not in attack, but resonance. The afterlife of sounds. Those elements that can’t be grasped and placed into easy historical categories. Behind his surface attacks Waller finds hazy, edgeless zones that draw us downwards, into introspection - an "inward gaze." Waller’s music is often compared to that of Erik Satie, and there is certainly something Satie-like in its concision, its subtle asymmetries and its lack of ornament. But where Satie’s Gnossiennes, Nocturnes and Gymnopédies were blank canvases, deliberately signifying nothing, Waller’s pieces are vessels to be filled. That is partly an effect of titles: Waller’s pieces on this disc are all ‘moments’ of autobiographical poignancy - memorials, birthdays, homecomings; friends, teachers, family members. We are clearly invited to invest certain emotional expectations into these sounds.

Moments

Music US