Name: Motherhood
Brand: No Joy

Bonus disc

Bonus disc: No

Catalogue number

JNR340CD

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2020-08-21

Signed copies

Signed copies: No

Supplier US

Secre­tly

Tax rate US

Sales:8.875

UPC / Barcode

753936905740

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

JNR340lp-C1

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Violet

Neon Violet Vinyl

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753936905757

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / violet

Artist

No Joy

Genre US

Indie Pop / Shoegaze

Label US

Joyful Noise Recordings

No Joy is a Canadian alternative/shoegaze band that was formed in late 2009 by Jasamine White-Gluz and Laura Lloyd. Known for their dreamy, atmospheric soundscapes, the band has captivated audiences with their unique blend of shoegaze and indie rock. Drawing inspiration from artists such as Young Prisms, Tamaryn, and Ringo Deathstarr, No Joy creates music that is both ethereal and captivating. With their mesmerizing melodies and powerful guitar-driven sound, No Joy has established themselves as one of the leading bands in the shoegaze genre.

Since their formation, No Joy has released several critically acclaimed albums and EPs, including "Wait to Pleasure" and "More Faithful." Their music showcases a perfect balance between hazy vocals and swirling guitars, creating an immersive sonic experience for listeners. The band's ability to create lush textures and intricate layers sets them apart from other artists in the genre.

With a dedicated fan base around the world, No Joy continues to push boundaries with their music. Their live performances are known for being intense and captivating, leaving audiences wanting more. Whether you're a long-time fan or new to the shoegaze scene, No Joy's music is sure to transport you into a dreamlike state.

First No Joy LP since 2015’s More Faithful. No Joy’s relentless sonic permutations are evidence of frontperson and principal songwriter Jasamine White-Gluz’s insatiable desire to grow.

For No Joy’s first full length in five years, White-Gluz took what she learned from synthesis, reincorporated guitars, and produced an album that is not a departure from No Joy’s early shoegaze, but a stylistically omnivorous expansion that ekes into trip hop, trance and nu-metal. Motherhood is the culmination of years composing outside of her comfort zone, and a return to DIY recording with a leveled-up expertise in production. Throughout the record there are loving nostalgic nods to the records White-Gluz adored on their release twenty years ago - Massive Attack, Sneaker Pimps, No Doubt.

White-Gluz hadn’t read Sheila Heti’s Motherhood when she wrote and titled this record, but when she did, the narrative parallels between the two projects were “like looking into a mirror. Time is critical, and you have to make decisions that are extremely time sensitive and your body doesn’t care,” she explains. “It’s a lot of seeing myself through my mother’s experiences, and the physicalness of a body getting older.” The album also investigates the implications of her parents’ aging on her role as their child.

Heti’s book’s central conceit is an open-ended pondering of whether dedication to writing is more significant than the desire to have children. No Joy doesn’t definitively answer this existential quagmire, either - how could anyone? Instead, Motherhood is a beautifully dense exploration that proves how thoughtful, thorough music can translate into art that is rich, vast and alive.

For fans of Curve, Sneaker Pimps, Primal Scream, Slowdive, Massive Attack, Kate Bush. 