Name: Digital Ash In A Digital Urn (A Companion)
Brand: Bright Eyes

Bonus disc

Bonus disc: No

Catalogue number

DOC310lp-C1

{"blocks": [{"data": {"text": "DOC310lp-C1"}, "type": "paragraph"}]}

Colour

Gold

Colour details

Opaque Gold Vinyl

{"blocks": [{"data": {"text": "Opaque Gold Vinyl"}, "type": "paragraph"}]}

Discogs ID

[r25247359]

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Format Music US

Limited edition

Release date

2022-11-25

Signed copies

Signed copies: No

Supplier US

Secre­tly

Tax rate US

Sales:8.875

UPC / Barcode

656605161037

{"blocks": [{"data": {"text": "656605161037"}, "type": "paragraph"}]}

Total Cap

1 / Extended format: Yes / Gold / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Bright Eyes

Genre US

Rock-Pop

Label US

Dead Oceans

Bright Eyes is an American indie rock band founded by singer-songwriter and guitarist Conor Oberst. The band consists of Oberst, multi-instrumentalist and producer Mike Mogis, trumpet and piano player Nate Walcott, and a rotating lineup of collaborators from Omaha's indie music scene. Bright Eyes is signed to Saddle Creek Records, a Nebraska-based label founded by Conor Oberst's brother Justin Oberst and Mike Mogis. They have been active since 1995 with a hiatus from 2011 to 2020.
Known for their introspective lyrics and emotive sound, Bright Eyes has garnered critical acclaim throughout their career. Their music often explores themes of love, loss, and existentialism with poetic depth. Conor Oberst's distinctive voice combined with the band's eclectic instrumentation creates a unique sonic experience that resonates with fans worldwide.
With numerous albums under their belt, including "Fevers and Mirrors," "I'm Wide Awake, It's Morning," and "The People's Key," Bright Eyes has established themselves as one of the most influential indie rock bands of their generation. Their live performances are known for their raw energy and emotional intensity, captivating audiences wherever they go.

“The first three are innocent in a way, because we didn’t have an audience when we were making them,” Oberst says. “But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash.” Those two albums came out simultaneously. And their lead singles – “Take It Easy (Love Nothing),” from the austere, remote Digital Ash, and “Lua,” from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. “First Day of My Life,” also from Wide Awake, would later be voted the Number One love song of all time by NPR Music’s reader’s poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band’s careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, “When The President Talks To God.” These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era’s releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of “harmonica and mandolins – folky vibes,” Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter.

Digital Ash In A Digital Urn (A Companion)

Music US