Bonus disc

Bonus disc: No

Catalogue number

RMND12004lp

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2023-11-17

Signed copies

Signed copies: No

Supplier US

Secre­tly

Tax rate US

Sales:8.875

UPC / Barcode

674862660490

Total Cap

Black LP

COEM12004C1.1

1250

2023-04-22

674862659579

RMND12004cd

674862661138

Artist

Fred Davis

Genre US

Blues / Gospel

Label US

Colemine Records

Record Store Day is an annual event inaugurated in 2007 to "celebrate the culture of the independently owned record store". Held on one Saturday every April and every Black Friday in November, the day brings together fans, artists, and thousands of independent record stores around the world.

Record Store Day 2023

Fred Davis is a highly respected legal representative in the music industry. With years of experience, he has successfully represented numerous artists and helped them navigate complex legal issues. His expertise and dedication have made him a trusted advisor to many musicians and record labels. Whether it's negotiating contracts or protecting intellectual property rights, Fred Davis is known for his meticulous attention to detail and unwavering commitment to his clients' best interests.
As a legal representative, Fred Davis understands the unique challenges that artists face in today's music industry. He stays up-to-date with the latest developments in copyright law, licensing agreements, and digital distribution platforms to provide his clients with comprehensive guidance. His extensive network of contacts within the industry allows him to connect artists with opportunities for growth and success.
With a reputation for professionalism and integrity, Fred Davis is widely recognized as one of the top legal representatives in the music business. Musicians can trust him to protect their rights and help them achieve their goals in an ever-evolving industry.

Newest Listed Items

This product is a Record Store Day title and not available to pre-order. 
 Available to buy in-store from 22/04/2023 (Record Store Day). 
 Remaining copies will be available to buy online from 8am, 04/23/2023. 
 Don’t forget: Click 'Notify Me' to be the first to know about its availability online.

Fred Davis was a legend, but only in my living room. There was always music around my house, but as a teenager, I started digging deeper and deeper in to the blues records in my Dad's collection. That was when I started to get the Fred Davis story in fits and starts. Fred could play like T-Bone Walker and sang in a high, keen voice like J.B. Lenoir, he said. He used to front a jump band in Kansas City, before something went down that sent him to prison at Leavenworth. In the summer of 1967, he ended up working alongside my Dad at Harco, the Cleveland factory where my grandfather was an executive. They became friends, bonding over the B.B. King and Bobby Bland records blaring from the AM radio on the factory floor. Fred taught my Dad the rudiments of blues guitar, but his style. Instead of barring with his first finger, he wrapped his thumb around the back of the neck. That left his other fingers free to create big, ringing voicings that imitated the Kansas City horn sections he heard in his youth. Fred could play up and down the neck and, even when he played and sang just by himself, he sounded like a full band. Or, at least, so the legend went. These were only foggy memories from thirty years previous, passed down from a father to a son.But then we found the tape. A quarter inch reel in a plain white cardboard box, hiding on a shelf in the attic. My Dad explained how it came to exist: He found some friends (acquaintances really) who had a band and some equipment. They setup in my grandparents living room where the upright piano was, and he invited Fred over to record some of his songs with the band backing him up. Invited him over, to play loud music, in his boss’s living room. Sounds like something I would have done. The idea was that maybe if there were some recordings of Fred that he could use them to get booked on the nascent college blues-revival circuit, but it wasn’t to be. We found a place nearby that could dub the tape and put it on a CD for us. When we finally got the transfer back, the legend became real. Fred really COULD sing like J.B. Lenoir and play like T-Bone Walker. He really DID have his own style. And that style had now been passed on to me. Without even realizing it, I had learned to play like Fred Davis. Even now, when I sit down to play the guitar or write a song and I wrap my thumb around the neck, I’m playing like he did. With this music now professionally transferred and remastered, I can only hope that Fred Davis can finally receive the acclaim that he deserves; that he never received in his lifetime. The legend can finally go behind the confines of my living room and, with any luck, to the whole world. -- Eli Paperboy Reed, fall 2022

Cleveland Blues

Music US