Album artwork for Straight To Hell by Hank III
Album artwork for Straight To Hell by Hank III

Hank Williams III third solo effort "Straight To Hell" starts with "Satan Is Real" interrupted by a burst of demonic laughter, which then segues into the title tune, a testimony to a life of cheap thrills and dangerous living that sounds like a classic string band rounding the corners at 90-miles-an-hour with empty bottles of bourbon propping open the windows. A similar mix of old-school country and chemically fueled rebellion run through songs like "Pills I Took" and "Smoke and Wine," and even the less menacing tunes like "My Drinking Problem" and "Angel of Sin" boast too much swagger and grit to fit comfortably on the radio. There's a pure and soulful musical vision at the heart of " Straight To Hell" no matter how much Hank III lashes out against the confines of current country music and messes with the form, and that's what makes him most valuable as an outlaw.

Hank III

Straight To Hell

Curb
Album artwork for Straight To Hell by Hank III
LPx2 +

$39.99

Black Splatter Vinyl

Released 11/11/2022Catalog Number

CRB788690.1

Learn more
Hank III

Straight To Hell

Curb
Album artwork for Straight To Hell by Hank III
LPx2 +

$39.99

Black Splatter Vinyl

Released 11/11/2022Catalog Number

CRB788690.1

Learn more

Hank Williams III third solo effort "Straight To Hell" starts with "Satan Is Real" interrupted by a burst of demonic laughter, which then segues into the title tune, a testimony to a life of cheap thrills and dangerous living that sounds like a classic string band rounding the corners at 90-miles-an-hour with empty bottles of bourbon propping open the windows. A similar mix of old-school country and chemically fueled rebellion run through songs like "Pills I Took" and "Smoke and Wine," and even the less menacing tunes like "My Drinking Problem" and "Angel of Sin" boast too much swagger and grit to fit comfortably on the radio. There's a pure and soulful musical vision at the heart of " Straight To Hell" no matter how much Hank III lashes out against the confines of current country music and messes with the form, and that's what makes him most valuable as an outlaw.