UK / US
Album artwork for Hounds Of Love by Kate Bush

Kate Bush's album Hounds Of Love.

Kate Bush's strongest album to date also marked her breakthrough into the American charts, and yielded a set of dazzling videos as well as an enviable body of hits, spearheaded by "Running Up That Hill," her biggest single since "Wuthering Heights." Strangely enough, Hounds of Love was no less complicated in its structure, imagery, and extra-musical references (even lifting a line of dialogue from Jacques Tourneur's Curse of the Demon for the intro of the title song) than The Dreaming, which had been roundly criticized for being too ambitious and complex. But Hounds of Love was more carefully crafted as a pop record, and it abounded in memorable melodies and arrangements, the latter reflecting idioms ranging from orchestrated progressive pop to high-wattage traditional folk; and at the center of it all was Bush in the best album-length vocal performance of her career, extending her range and also drawing expressiveness from deep inside of herself

Kate Bush

Hounds Of Love

Parlophone
Album artwork for Hounds Of Love by Kate Bush
LP

$29.99

Remastered. Standard Black LP

Released 11/16/2018Catalog Number

19029559386

Album artwork for Hounds Of Love by Kate Bush
CD

$14.99

Remastered.

Released 11/16/2018Catalog Number

19029556894

Kate Bush

Hounds Of Love

Parlophone
Album artwork for Hounds Of Love by Kate Bush
LP

$29.99

Remastered. Standard Black LP

Released 11/16/2018Catalog Number

19029559386

Album artwork for Hounds Of Love by Kate Bush
CD

$14.99

Remastered.

Released 11/16/2018Catalog Number

19029556894

Kate Bush's album Hounds Of Love.

Kate Bush's strongest album to date also marked her breakthrough into the American charts, and yielded a set of dazzling videos as well as an enviable body of hits, spearheaded by "Running Up That Hill," her biggest single since "Wuthering Heights." Strangely enough, Hounds of Love was no less complicated in its structure, imagery, and extra-musical references (even lifting a line of dialogue from Jacques Tourneur's Curse of the Demon for the intro of the title song) than The Dreaming, which had been roundly criticized for being too ambitious and complex. But Hounds of Love was more carefully crafted as a pop record, and it abounded in memorable melodies and arrangements, the latter reflecting idioms ranging from orchestrated progressive pop to high-wattage traditional folk; and at the center of it all was Bush in the best album-length vocal performance of her career, extending her range and also drawing expressiveness from deep inside of herself