Name: In The Court Of The Crimson King.
Brand: King Crimson

Bonus disc

Bonus disc: No

Catalogue number

063336791111

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2020-07-24

Signed copies

Signed copies: No

Supplier US

Lasgo

Tax rate US

Sales:8.875

UPC / Barcode

633367911117

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Total Cap

Black LP

Artist

King Crimson

Genre US

60s & 70s

Label US

Panegyric

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King Crimson is one of the pioneers of the progressive rock genre. Formed in 1969, their first line-up included guitarist Robert Fripp, lyricist and lighting man Peter Sinfield, composer and multi-instrumentalist Ian McDonald, bassist and vocalist Greg Lake, and drummer Michael Giles. They released the seminal album "In the Court of the Crimson King" in 1969 before undergoing several personnel changes. The band evolved over the years, experimenting with fusion and improvisation in their live performances. In 1981, they changed their name to King Crimson and released three studio albums with a new line-up. After a hiatus, they reformed again in 1994 as a double trio and continued to release music through various spin-off groups. Their extensive back catalogue makes them one of the most influential rock bands ever.

In 2000, King Crimson underwent another transformation with a new line-up that excluded Bill Bruford and Tony Levin. They released "The ConstruKction of Light" in 2000 before Tony Levin rejoined the group. In 2008, they embarked on a 40th Anniversary Tour with Gavin Harrison joining as a new member. Despite Robert Fripp's retirement announcement in 2012, King Crimson returned in 2014 with yet another line-up for touring purposes.

The current incarnation of King Crimson features Robert Fripp (guitar), Mel Collins (saxophones, flute), Tony Levin

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The group's definitive album, and one of the most daring debut albums ever recorded by anybody. At the time, it blew all of the progressive/psychedelic competition (the Moody Blues, the Nice, etc.) out of the running, although it was almost too good for the band's own good — it took King Crimson nearly four years to come up with a record as strong or concise. Ian McDonald's Mellotron is the dominant instrument, along with his saxes and Fripp's guitar, making this a somewhat different-sounding record from everything else they ever did. And even though that Mellotron sound is muted and toned down compared to their concert work of the era (e.g., Epitaph), it is still fierce and overpowering, on an album highlighted by strong songwriting (most of it filled with dark and doom-laden visions), the strongest singing of Greg Lake's entire career, and Fripp's guitar playing that strangely mixed elegant classical, Hendrix-like rock explosions, and jazz noodling. Lineup changes commenced immediately upon the album's release, and Fripp would ultimately be the only survivor on later King Crimson records.

In The Court Of The Crimson King.

Music US