Name: Mojo Hand: The Complete Fire Sessions
Brand: Lightnin' Hopkins

Bonus disc

Bonus disc: No

Catalogue number

CD-SBR-7028

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Limited Edition w/ Bonus Tracks

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Format Music US

Limited edition

Release date

2022-11-11

Signed copies

Signed copies: No

Supplier US

Redeye

Tax rate US

Sales:8.875

UPC / Barcode

708535702825

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Lightnin' Hopkins

Genre US

Blues / Gospel

Label US

Sunset Blvd Records

Lightnin' Hopkins was an American country blues singer, songwriter, and guitarist. Born on March 15, 1912 in Centerville, Texas, he became a legendary figure in the music industry. In 1920, Hopkins had the opportunity to play with Blind Lemon Jefferson at a social function, which greatly influenced his musical career.

In 1946, while playing alongside his cousin Texas Alexander in Houston, Hopkins was discovered by Lola Anne Cullum of Los Angeles' Aladdin Records. He started recording with pianist Wilson Smith and together they were known as 'Lightning' & 'Thunder', adding dynamic energy to their marketing.

Throughout his career, Lightnin' Hopkins produced strong recordings including the popular song "Mojo Hand" in 1960. His talent and unique style inspired many artists such as Jimmie Vaughan, Townes Van Zandt, and Ron "Pigpen" McKernan.

Although often miscredited for writing Chuck Willis's song "I Feel So Bad," covered by Little Milton and Elvis Presley among others; Lightnin' Hopkins did write a song with the same name released in 1947 on Aladdin Records and later in 1962 on Imperial Records.

Newly Remastered From The Analog Tapes; Limited Edition with Bonus Tracks. Lightnin’ Hopkins is widely considered one of the great popular architects of the blues style that came be known as “country blues” and which proved to be huge influence on the future development of Rock ‘n’ Roll. “Mojo Hand” was one of Hopkins‘ signature tunes. Mixing his own style with Louisiana Creole and voodoo culture, the song ripples with an occult energy.This album, recorded for Fire Records, is especially interesting because it casts Hopkins in a more R&amp;B-flavored environment. This obvious effort to get a hit takes for some excellent blues; moody and powerful performances play throughout. The Penguin Guide to Blues Recordings wrote that "Lightnin' is focussed and businesslike and delivers a strong and varied sequence of songs; the bassist and drummer unobtrusive but very much there”.

Mojo Hand: The Complete Fire Sessions

Music US