Name: The Lighthouse
Brand: Mark Korven

Bonus disc

Bonus disc: No

Catalogue number

SBR232lp-C5

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Colour

Gold

Colour details

Gold Vinyl

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Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Format Music US

Limited edition

Release date

2019-10-18

Signed copies

Signed copies: No

Supplier US

Secre­tly

Tax rate US

Sales:8.875

UPC / Barcode

843563151051

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Total Cap

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / gold

Artist

Mark Korven

Genre US

Soundtracks

Label US

Sacred Bones Records

Mark Korven is a Canadian musician, known for his expertise in playing the mandolin and harp. He is also a talented composer, creating captivating music that spans various genres. With his unique blend of skills and creativity, Mark has made a name for himself in the music industry.
As a versatile artist, Mark's musical compositions have been featured in numerous films and television shows, adding depth and emotion to storytelling. His ability to evoke different moods through his compositions showcases his exceptional talent as a composer.
Whether it's the haunting melodies or the enchanting harmonies he creates, Mark's music resonates with listeners on a profound level. His work has garnered critical acclaim and recognition from both audiences and industry professionals alike.

Soundtracks | Vinyl LPs, CDs, Merch | Rough Trade

Mark Korven's original soundtrack for 'The Lighthouse,' starring Robert Pattinson and Willem Dafoe, marks his second collaboration with director Robert Eggers (The Witch). “Robert [Eggers] and I were rather like the two wickies that went insane in The Lighthouse, musically speaking. We travelled to some very dark harmonic and textural places. We both enjoy not just breaking the rules, but blowing them to smithereens. The spirit of experimentation was always present.” -Composer Mark Korven “Composer Mark Korven and I developed a shorthand working together on The Witch. This made collaborating on The Lighthouse an incredibly enjoyable process. But it was not without its many challenges. Originally, I wanted a score with no strings at all. The Witch soundtrack was so string-prominent that I wanted a full departure. I only wanted horns, pipes, conch shells, concertina – things that sounded like the sea – or the lighthouse station’s ominous foghorn. It would be a minimalist aleatoric soundtrack with a nod to sea shanties and ancient Greek music. As Mark and I embraced the sound of big brass sections, it quickly became a maximalist aleatoric soundtrack. From the beginning, Mark thought that we might need some string textures to tell the story and that I was being foolhardy. As usual, he was right, but it took some time for me to hear that I was wrong. We eventually set up an experimental session with a cellist and a double bass player to create some strange, otherworldly sounds to use in moments of high tension, rather than relying on the tried and true Penderecki-esque string rises of horror cinema (although we still use a couple). These strings would be obscured and camouflaged. I was fine with that. To create the ethereal and monstrous sounds of the light itself, Mark experimented with the waterphone, glass harmonica, his famous Apprehension Engine – as well as friction mallets drawn across cymbals, wood, and glass. This beautiful work of Mark’s, combined with Damian Volpe’s sound design, does so much to convey the inner world of Rob and Willem’s characters.” -Director Robert Eggers

The Lighthouse

Music US