Name: Sugar At The Gate
Brand: Tops

Bonus disc

Bonus disc: No

Catalogue number

ABT060

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

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Format Music US

Limited edition

Release date

2017-06-02

Signed copies

Signed copies: No

Supplier US

Secre­tly

Tax rate US

Sales:8.875

UPC / Barcode

061297538225

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Tops

Genre US

Indie Pop / Shoegaze

Label US

Arbutus

The Four Tops is a U.S. vocal male soul quartet that was formed in 1953 in Detroit as The Four Aims. They gained recognition by backing Carolyn Hayes on her single debut in 1955. With the same lineup for over four decades, they became the main male vocal group for the renowned signwriting and production team of Holland-Dozier-Holland during the 60s. After their departure from Motown, they continued to have charting singles with ABC Records into the late-1970s. Since then, they have recorded for various labels including Motown, Casablanca Records, and Arista.
Inducted into the Rock And Roll Hall of Fame in 1990 as performers, The Four Tops are sometimes credited as "The Four Tops." The original members included Lawrence Payton (1953-1997), Levi Stubbs (1953-2000), Renaldo "Obie" Benson (1953-2005), and Abdul "Duke" Fakir (since 1953). Theo Peoples joined in 1998 and Ronnie McNeir joined in 2000. Roquel Payton has been part of the group since 2005.
With an impressive history spanning several decades and multiple record labels, The Four Tops continue to captivate audiences with their timeless soulful sound led by Duke Fakir alongside current members Theo Peoples and Ronnie McNeir.

For Sugar At The Gate, their third and most ambitious album to date, Montreal's TOPS peaced out to LA. They lived and recorded at "Glamdale", a mini-mansion and former brothel located in the Jewel City, Glendale, CA. The unassuming record unfolds slowly, taking time to reveal itself. Like nearly everything TOPS does, multiple meanings overlap with the album's title referring to orgasm, but also to carrot chasing, gatekeeping, and the social contract."Living in LA was living out a teenage fantasy," says vocalist-songwriter Jane Penny, "living with your band and practicing in the garage. It was also the first time we've ever had that much space to make music. I took the experience of living LA as a challenge to make music that I know is real to me, in the sense of it feeling true and containing true feelings, but also recordings of great songs, the real thing."Layers of sarcasm and sincerity seem to enfold the group like flower petals, yet TOPS' flawless musicianship and profound grasp of pop fundamentals are the surest sign that at the core, it's all as real as it sounds.

Sugar At The Gate

Music US