Name: In the Woods
Brand: Rimarimba

Bonus disc

Bonus disc: No

Catalogue number

FTS007lp

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Colour

Black

Colour details

Black vinyl.

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Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2019-06-21

Signed copies

Signed copies: No

Supplier US

Secre­tly

Tax rate US

Sales:8.875

UPC / Barcode

603786278900

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Rimarimba 

Genre US

Electronic

Label US

RVNG INTL.

Freedom To Spend’s first catalog wide deep dive into an artist’s career focuses on four albums from Rimarimba, beginning with 1983’s Below The Horizon, followed by 1984’s On Dry Land, 1985’s In The Woods, and finally, the once-imagined, now-realized assembly of 1988’s Light Metabolism Number Prague.

Somewhere out there around the turn of the 1980s, to the left of the post-punk crew, to the right of the minimalists, and surfacing with a friendlier face than the dour industrialists of the time – there existed, seemingly unbidden, an entire, networked, tape-trading community; a community that crossed continents and oceans, that relied on the postal service to do its bidding; a community full of humble visionaries and lost, misunderstood, or just plain ignored home steeped genius.

Exploring that thicket of weirdness in the UK wild, you’d likely stumble across labels like Cordelia, Hamster, and Unlikely; compilations like the should-be-legendary Obscure Independent Classics series, or the Real Time cassettes; and inexplicable one-offs like The Deep Freeze Mice, Jody &amp; The Creams, R. Stevie Moore, Leven Signs, Jung Analysts, and Rimarimba.

Rimarimba was the project of Robert Cox, based in Felixstowe, on the seaside in Suffolk, UK. Rimarimba was not Cox’s first entry into the world of recorded music, but was the first time he explored, most perceptively, the parameters of a particular musical mode: one where minimalism is removed from its “high-art” mantle, Cox inveigling its practices in amongst the do-it-yourself creativity of a burgeoning and beguiling underground, letting the music breathe – and most importantly, letting it play, gifting it with imagination.

In the Woods

Music US