The Peyote Dance is the first in a triptych of albums to be released by Bella Union over the next year titled The Perfect Vision, which take their inspiration from the writings of three emblematic French poets: Antonin Artaud, Arthur Rimbaud and René Daumal, and their necessity to travel to different lands to acquire a new vision and perspective on themselves and artworks. Perhaps a perfect vision, it is one that allowed them to transcend forms and borders, both physical and mental. Recorded in the Sierra Tarahumara of Mexico, Abyssinian valley of Ethiopia, and Himalayan Summit of India respectively, the central idea is that each landscape holds sleeping memories that are the witness of human passage. Each album retraces the poets’ footsteps, channelled through on-location recorded soundscapes and musicalities, with Patti Smith revisiting the words that have been inspired by the landscapes. The triptych marks a new chapter in the collaboration between Soundwalk Collective and Patti Smith, who first worked together on Killer Road in 2016.
The album’s sonic method originates in the idea of following Artaud’s trace and returning to the village and cave where he lived. Gathering stones, sand, leaves, and many instruments such as violins and drums that the Rarámuri made themselves, the artists were able to awaken the landscape’s sleeping memories and uncover the space’s sonic grammar. Hearing the wind blowing through the valley, or entering a cave, one will find a specific silence or resonance.