Name: Let Me Come Over 25th Anniversary Edition
Brand: Buffalo Tom

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2017-05-19

Format multiplier

Catalogue number

5145002

UPC / Barcode

607618214524

Download code: Yes

5145001

607618214517

Artist

Buffalo Tom

Label EU

Beggars Banquet

Genre EU

Alternative / Modern

Buffalo Tom is an alternative rock band hailing from Boston, Massachusetts. Formed in 1986, the band consists of Bill Janovitz on guitar, Chris Colbourn on bass, and Tom Maginnis on drums. With their unique sound and captivating performances, Buffalo Tom has become a staple in the music industry.

Influenced by bands such as The Lemonheads, Sugar, and Bob Mould, Buffalo Tom has carved out their own distinct style within the alternative rock genre. Their powerful lyrics combined with melodic guitar riffs create a mesmerizing musical experience for fans.

Over the years, Buffalo Tom has gained a loyal following and continues to impress audiences worldwide. With hits like "Sodajerk" and "Taillights Fade," they have solidified their place in music history. Whether you're a longtime fan or new to their music, exploring *Bill Janovitz's* heartfelt vocals and *Chris Colbourn's* rhythmic basslines is sure to leave you wanting more.

Founded in 1977 by Martin Mills and Nick Austin, Beggars Banquet is a renowned UK indie label that has made its mark on the music industry. It all began with the release of two 7" singles by punk band The Lurkers. Since then, Beggars Banquet has evolved to encompass a diverse range of genres including punk, goth, synth-pop, folk-rock, and indie. With an impressive portfolio of spin-off labels such as 4AD, Situation Two, City Beat, and XL Recordings under its belt, Beggars Banquet has become part of the esteemed Beggars Group – one of the largest networks of indie record labels worldwide.

In April 2008, Beggars Group made the decision to retire the iconic Beggars Banquet imprint. However, key artists were seamlessly transitioned to another notable label within their roster – 4AD. This strategic move ensured that these talented musicians continued to receive the support and recognition they deserved.

Beyond their musical endeavors, it's worth noting that Beggars Banquet operates with utmost professionalism. Their business registration number is 1414047 and VAT number is 340 1066 10. These details further exemplify their commitment to transparency and excellence in all aspects of their operations.

Newest Listed Items

Buffalo Tom (Bill Janovitz, Chris Colbourn and Tom Maginnis) formed at the University of Massachusetts at Amherst in 1984 - a breeding ground of post punk guitar bands like Dinosaur Jr. and Pixies. They thrived on college radio in the late 1980’s and toured extensively in Europe, the US, Australia and Japan. In 1992 the band recorded their third album Let Me Come Over with a varied group of songs they had been developing at home and on the road - mixing their live power trio sound with some more acoustic based guitar ballads. The album’s single Taillights Fade would become their signature song. 2017 marks the 25th anniversary of this album, and to celebrate, Beggars Arkive reissue it on vinyl and CD and package it with a live album. Recorded in London at ULU (University of London Union) in 1992, this marks the band’s first-ever live release. The double LP contains 10 live tracks, and the CD edition contains the entire show (17 songs). On its first two albums, Buffalo Tom constructed towering guitar-scapes and mastered a naturalistic version of quiet-to-loud dynamics. So, for its third, we found Buffalo Tom shedding a bit, but not all of the skin it had worn and emerging with its charms more front and center. Let Me Come Over is the sound of the trio exiting the insular underground for the wide world of “alternative” rock - but more or less bringing its best moves along with it, too. Previously loosely linked with fellow travelers Dinosaur Jr. and Uncle Tupelo via a similar three-piece format, stunning depth of songwriting and association with Boston’s Fort Apache Studios - it’s not hard to imagine Buffalo Tom wanted to stake a claim stylistically. Yet, Let Me Come Over never feels like a break with the past, it’s a transition. Inside that abstruse cover are undeniably magnificent tunes. Staples is emblematic of a band in flux with a grungy lyrical conceit rendered with hi-fi guitar squalls. It’s the first single Taillights Fade, however, where the band appears to find a new comfort zone, at an unhurried speed where Janovitz’s storytelling and car crash metaphors stand the best chance of making an impression. It plays with quiet-to-loud dynamics, and as for emotional expression, it swings for the bleachers--and a place on alternative rock radio. Mineral jangles in a similar vein and makes grand gestures. Darl and Larry (referencing the brothers from the Newhart show I always thought?) are solid but disparate cuts. Colbourn’s Darl feels a bit like an outlier with its thrashy feel - it sounds better louder. Larry has a sweetness to it that’s augmented by its busker’s strumming. Released as a second single, Velvet Roof had given us a taste of what was newly possible, a hook-heavy stomper with a densely woven rhythm matched by tight lyric writing - each piece expertly crafted to go into the next, no frayed ends here - and a snazzy mix by Ron Saint Germain, a pro who would later bring out the best in Soundgarden. A wailing harmonica solo gives it all a swagger that’s kind of new for the band. Stymied summons the emotional intensity of Birdbrain - it’s probably the album’s darkest moment. Somehow both life-affirming and wistful Porchlight contrasts with the way Saving Grace blazes through the barroom like a ‘Mats tribute. There’s no filler to be found here. Frozen Lake sees the band caressing acoustic guitars in comedown mode. Let Me Come Over is kind of a short story collection with equal parts thunder and intimacy, hills and valleys, last night’s mistakes and tomorrow’s contrition. Ultimately, it’s possibility, a sense of ‘hey, this just might work’ that makes it such a deep spin 25 years later. Let Me Come Over triumphs.2CD - Double CD with a live album - Recorded in London at ULU (University of London Union) in 1992.2LP - Double LP with a 10 track live album - Recorded in London at ULU (University of London Union) in 1992. The download features the full 17 Track Live Set.

Let Me Come Over 25th Anniversary Edition

Music EU