Name: Feast Of Wire
Brand: Calexico

Tax rate EU

Default:19

Supplier EU

Rough Trade

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2010-07-13

Format multiplier

Catalogue number

SLANG50041

UPC / Barcode

4250506832032

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

LP+MP3

Download code: Yes

2013-02-19

SLANG50041LP

4250506806125

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Calexico

Label EU

City Slang

Genre EU

Alternative / Modern

Calexico is an American band from Tucson, Arizona that has been making music since 1996. The band was formed by Joey Burns and John Convertino, who had previously played together in the band Giant Sand. Calexico has toured and performed at various festivals, including the Montreux and North Sea Jazz Festivals. They have also collaborated with artists such as Neko Case, Victoria Williams, and Richard Buckner. The band's sound has evolved over time, with a revolving cast of musicians and instruments contributing to their varied releases.

The name "Calexico" comes from the city of Calexico, California, which is located on the border between California and Mexico.

Experience the unique blend of musical styles and influences that Calexico brings to their music. From their early collaborations with Giant Sand to their diverse discography, this American band continues to captivate audiences with their evolving sound.

City Slang is an independent German label founded by Christof Ellinghaus. Renowned for its eclectic roster, the label encompasses everything from rock to post-rock and electronic music.

With a diverse range of artists, City Slang has become known for its unique and innovative approach to music. From established acts to emerging talent, the label consistently delivers high-quality releases that push boundaries and defy genre conventions.

As a leading force in the industry, City Slang has been instrumental in shaping the sound of contemporary music. With their distinctive style and commitment to artistic integrity, they have garnered a loyal following of music enthusiasts worldwide.

Newest Listed Items

Every purchase online or instore gets a free Rough Trade / City Slang sampler CD.Feast of Wire does indeed offer a tantalizing array of sounds new and old from Calexico, including more pop-oriented takes on their already eclectic style as well as some different sonic twists. Though the album features plenty of the atmospheric interludes of their previous work -- such as the squelchy, piano-based "Stucco" and the cello- and pedal-steel-driven "Whipping the Horse's Eye" -- the overall feel of Feast of Wire is one of restraint and refinement. The album's longest song, the gorgeous, film noir/spaghetti western fusion "Black Heart," tops out at just under five minutes, and the vast majority of the tracks barely make it past the three-minute mark -- not enough time for experimentation to turn into self-indulgence.However, it feels like these shorter compositions have more impact: "Sunken Waltz" sketches a vignette of Southwestern despair with just acoustic guitar, brushed drums, accordion, and Joey Burns' papery vocals. Burns' voice plays a larger part on Feast of Wire than on previous Calexico albums, adding a humble charm to sweeping songs like "Quattro (World Drifts In)." Despite its seeming limitations, Burns' small, parched-sounding instrument is surprisingly versatile, lending a Dylan-like cast to the aforementioned "Black Heart" and a Dean Wareham-like drawl to the lilting Tex-Mex melody of "Across the Wire." Burns' vocals also dominate Feast of Wire's most uniquely accessible moments: "Stevie Nicks," a surprisingly, sunny bit of folk-rock, and the quiet, alt-country-ish "Woven Birds." But despite the steps forward Calexico makes on this album, the band still has time for their more traditional, instrumental-based music, exemplified here by "Dub Latina," "Pepita," and "Guero Canelo." The second half of Feast of Wire in particular sounds more like what you'd expect from a Calexico album, and the group touches on the different facets of that style, including the kitschy-cool "Attack el Robot! Attack," which with its crunchy drums and gurgling synths, does sort of sound like it could be from a Mexican sci-fi movie; the shuffling Latin beat, pedal steel, and mod horns on "Close Behind" give it a Morricone-meets-mariachi feel that makes it a quintessential Calexico track; and best of all, "Crumble" builds on the smoky, jazzy side of their sound that they began developing in earnest on The Hot Rail. In the hands of a lesser band, all the different sounds Calexico explore on Feast of Wire could result in a mish-mash of an album, but fortunately for them and their fans, it's one of their most accomplished and exciting efforts.

Feast Of Wire

Music EU