Name: David Comes To Life
Brand: Fucked Up

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2012-05-11

Format multiplier

Catalogue number

5957862

UPC / Barcode

744861095224

Artist

Fucked Up

Label EU

Matador

Genre EU

Punk / Hardcore

<p>Formed in 2001, Fucked Up is a Canadian hardcore punk band hailing from Toronto, Ontario. With their energetic and raw sound, they have become an influential force in the punk scene. Known for their intense live performances and thought-provoking lyrics, Fucked Up has gained a loyal following worldwide. Their unique blend of aggressive punk rock and melodic elements sets them apart from other bands in the genre. Explore their discography and merchandise on our music e-commerce website.</p>

U.S. independent label based in NYC; for company roles and copyrights please consider [l390562] for the USA, [l=Matador Records Ltd.] for the UK company division and the generic company profile relating to either legal entities [l=Matador Records (2)] 
[b]Note that while some Matador releases are exclusive to North America or Europe, they use one numbering system for all releases, so it is not necessary to enter them under separate labels.[/b]

The Matador label began in 1989 when [a=Chris Lombardi] dragged the Austrian duo H.P. Zinker into Wharton Tiers’ Fun City studio to record OLE-001, ...and there was light. Run out of Chris’ New York apartment, Lombardi added artists such as the Dustdevils, Railroad Jerk and Superchunk to the initial roster. Joined by longtime Homestead Records manager Gerard Cosloy in 1990, Matador experienced its first taste of crazed media attention & big sales with the North American release of Teenage Fanclub’s debut long-player, A Catholic Education. Over the years, the label has moved from shoebox sized offices to larger and larger complexes, the staff has grown from 2 to 24, and the roster has simply exploded. As well as functioning as the North American home to Pavement, Liz Phair and The Jon Spencer Blues Explosion, Matador has helped artists such as Yo La Tengo, Cat Power, Cornelius, Solex, Pizzicato Five, Helium and the Arsonists reach audiences worldwide.

Matador has also served as the North American licensee for a number of exceptional international acts, including Belle & Sebastian, Mogwai, Boards of Canada, Red Snapper, Arab Strap and others. Since 1996, Matador has maintained separate offices and staff in London. In addition to supervising the promotion, sales and marketing of Matador titles on the continent, Matador Europe has also licensed recordings from some of North America’s most acclaimed new artists, M. Ward, Sleater-Kinney, Modest Mouse, and Superchunk to name a few.

While Matador has often been characterized (not by the label itself) as an underground or "indie" rock label, over the years, the label’s musical direction has grown, to the point where many hip hop, electronic and experimental acts play as prominent a role in the label’s sound & future as any number of singer/songwriters and rock bands. Sometimes all of the above converge.

During the 1990s, Matador entered into partnerships with [l=Atlantic] and [l=Capitol Records]. In 1999, Lombardi & Cosloy purchased back Capitol's 49% share of the label, and in 2002, [l613604] purchased 50% of the legal entities behind the Matador label / imprint [l390562] and [l291335] and took over Matador's worldwide marketing.

Newest Listed Items

<p>right from the start, toronto's fucked up have been pushing musical and conceptual boundaries. their third album, the 18-song, 78-minute 'david comes to life', is a rock opera, an album set to a play. though no less monumental, it is far more melodic than their breakthrough 'the chemistry of common life'. there are more female vocals, which work in perfect contrast to damian abraham's highly effective wounded bull growl. the band sound tighter, with more space for the flourishes and imaginative song-writing that entwine their love of british indie pop with heavy riffing, and some genuinely twisted turns. perhaps most grippingly, the triple-guitar interplay between mike haliechuk, josh zucker and ben cook has risen to symphonic levels. they channel musicians from angus young, pete townshend and noel gallagher to bob stinson and lyle preslar with ease and grace. as for the story, more on that to come...</p>

David Comes To Life

Music EU