Name: Green Street
Brand: Grant Green

Tax rate EU

Default:19

Supplier EU

Universal Music GmbH

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Black

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2023-12-15

Format multiplier

Catalogue number

5524263

UPC / Barcode

602455242631

Black LP

Artist

Grant Green

Label EU

Blue Note

Genre EU

Jazz

Grant Green was an American jazz guitarist and composer. He was born on 6 June 1935 in St. Louis, Missouri, USA and passed away on 31 January 1979 in New York, New York, USA at the age of 43.
Green is renowned for his unique style and innovative approach to jazz guitar. His smooth playing and soulful sound captivated audiences worldwide. With a career spanning several decades, he released numerous albums that showcased his virtuosity and creativity.
Throughout his life, Grant Green collaborated with many notable musicians including Lee Morgan, Herbie Hancock, and McCoy Tyner. His contributions to the jazz genre continue to inspire aspiring musicians today.

Blue Note is a record label that has made a significant impact in the jazz genre. Founded in 1939 by Alfred Lion and Max Margulis, Blue Note focused on traditional jazz and swing recordings, producing timeless classics. In the 1950s, it became one of the first labels to feature bop musicians. After being acquired by *Universal Music Group* in 1965, Blue Note expanded its repertoire to include more commercially-oriented music like jazz-fusion. Throughout the years, Blue Note underwent various changes in ownership and reissue programs but continued to release new recordings and previously unreleased material.

In 1982, Blue Note catalog reissues began appearing on *United Artists Records*, which was owned by Michael Cuscuna who oversaw the UA-era reissue program. The label was later relaunched as part of *Capitol-EMI's* subsidiary *Manhattan Records* in 1985. It was during this time that Blue Note released key albums from its history and introduced previously unissued material.

In 1989, Blue Note became the division under which all of Capitol-EMI's jazz activities were organized. However, two years later, *Manhattan Records* was revived for smooth jazz and pop-jazz releases while Blue Note continued to thrive as a prominent label within Capitol-EMI's roster.

Newest Listed Items

As a trio, this edition of guitarist Grant Green's many ensembles has to rank with the best he had ever fronted. Recorded on April Fool's Day of 1961, the band and music are no joke, as bassist Ben Tucker and drummer Dave Bailey understand in the most innate sense how to support Green, lay back when needed, or strut their own stuff when called upon. Still emerging as an individualist, Green takes further steps ahead, without a pianist, saxophonist, or -- most importantly -- an organist. His willpower drives this music forward in a refined approach that definitely marks him as a distinctive, immediately recognizable player. It is also a session done in a period when Green was reeling in popular demand, as this remarkably is one of six recordings he cut for Blue Note as a leader in 1961, not to mention other projects as a sideman. To say his star was rising would be an understatement. The lean meatiness of this group allows all three musicians to play with little hesitation, no wasted notes, and plenty of soul. Another aspect of this studio date is the stereo separation of Green's guitar in one speaker, perhaps not prevalent in modern recordings, but very much in use then. Check out the atypical (for Green) ballad "'Round About Midnight," as the guitarist trims back embellishments to play this famous melody straight, with a slight vibrato, occasional trills, and a shuffled bridge. The trio cops an attitude similar to Dizzy Gillespie for the introduction to "Alone Together," with clipped melody notes and a bass filler from Tucker. Three of Green's originals stamp his personal mark on rising original soulful post-bop sounds, as "No. 1 Green Street" has basic B-flat, easy-grooving tenets similar to his previously recorded tune "Miss Ann's Tempo." Two interesting key changes and chord accents identify the outstanding "Grant's Dimensions" beyond its core bop bridge and jam configuration -- not the least of which contains a hefty bass solo from the criminally underrated Tucker and Bailey trading fours. "Green with Envy" should be familiar to fans of Horace Silver, as it is almost identically based on the changes of "Nica's Dream," a neat adaptation full of stop-starts and stretched-out improvising over ten minutes. (The alternate take of this one on the expanded CD reissue is a full two minutes shorter.) If this is not a definitive jazz guitar trio, they have not yet been born, and Green Street stands as one of Grant Green's best recordings of many he produced in the ten prolific years he was with the Blue Note labe

Green Street

Music EU

Discover Green Street by Grant Green. A classic jazz guitar trio album recorded in 1961 on Blue Note. No wasted notes, plenty of soul.