Name: The Bible
Brand: Lambchop

Tax rate EU

Default:19

Supplier EU

Rough Trade

Total Cap

Format detail

Digipak

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2022-09-30

Format multiplier

Catalogue number

SLANG50448

UPC / Barcode

4250506843519

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

2LP+DL Gatefold

Download code: Yes

SLANG50448LP

4250506843502

2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Lambchop

Label EU

City Slang

Genre EU

Alternative / Modern

City Slang is an independent German label founded by Christof Ellinghaus. Renowned for its eclectic roster, the label encompasses everything from rock to post-rock and electronic music.

With a diverse range of artists, City Slang has become known for its unique and innovative approach to music. From established acts to emerging talent, the label consistently delivers high-quality releases that push boundaries and defy genre conventions.

As a leading force in the industry, City Slang has been instrumental in shaping the sound of contemporary music. With their distinctive style and commitment to artistic integrity, they have garnered a loyal following of music enthusiasts worldwide.

An alternative country band from Nashville, Tennessee, Lambchop (originally known as Posterchild) is known for their resistance to easy genre classification and ever-changing line up. Front man Kurt Wagner's distinctive songwriting evokes the characteristic moods of the band's style.

Newest Listed Items

Kurt Wagner found himself in Minneapolis in the sweltering summer of 2021, in a decommissioned paint factory turned practice space, when everybody was still kind of looking at everybody else as a potential source of disease. He entrusted himself to this piano player, Andrew Broder, and his mad genius of a production partner, Ryan Olson. “Ryan and Andrew, they’re like two sides of my personality,” Wagner says. “And if you put them together as a team, they represent me.” This would be the first time Wagner let somebody else - not to mention somebody else without any sort of a connection to holy, old Nashville - produce a Lambchop record. It was in that decommissioned paint factory in Minneapolis, watching a bunch of burnout freaks play their instruments, that Wagner found his way to writing The Bible. The sessions reminded him of those long-ago days at the Springwater Supper Club in Nashville, when he first brought the afterparty back to his house. But maybe because he wasn’t the one making the afterparty rules this time, the music on The Bible is more unpredictable than it’s ever been on a Lambchop record. Jazz careening into country, into disco, into funk, and back to country. This is Lambchop’s new album—born in a new place, but out of a process that he first discovered back home in Nashville, the one that helped him find his own voice in the first place. Amen. This is The Bible.

The Bible

Music EU