Name: A Mold For The Bell
Brand: Logan Farmer

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2022-10-14

Format multiplier

Catalogue number

153920

UPC / Barcode

843563142264

Artist

Logan Farmer

Label EU

Western Vinyl

Genre EU

Folk

Western Vinyl is a music label based in Austin, Texas. Founded in 1998 by Brian Sampson, the label has established itself as a prominent force in the music industry. With a diverse roster of talented artists and performers, Western Vinyl offers a wide range of musical genres and styles to its listeners.

Known for their commitment to quality and innovation, Western Vinyl strives to bring unique and groundbreaking music to the forefront. The label's dedication to nurturing talent and supporting artistic vision has earned them a reputation as an influential player in the independent music scene.

Whether you're a fan of *indie rock*, *experimental electronic*, or *ambient soundscapes*, Western Vinyl has something for everyone. Explore their catalog and discover new sounds that will captivate your ears and expand your musical horizons.

Newest Listed Items

For Fans Of: J. Tillman, Phosphorescent, Low, Damien Jurado, Bill Callhan.“It’s going to be hard to talk about this when it’s done.” So begins A Mold For The Bell, the new album from Colorado singer-songwriter and producer Logan Farmer. What follows that enigmatic lyric is a collection of stark and ambient folk songs, tethered solely by Farmer’s unadorned vocals, acoustic guitar, and moving embellishments from contributors, including saxophonist Joseph Shabason (who also mixed the album) and renowned harpist Mary Lattimore. With the help of Grammy-nominated producer Andrew Berlin (Gregory Alan Isakov), Farmer tracked all of the vocal and guitar parts over two days in the early months of 2021. The tracks were recorded quickly, live in the studio to capture the raw intimacy and immediacy of Farmer’s live performances. The rest of the album’s creation occurred remotely, over texts, phone calls, and emails with Shabason and a handful of other musicians, as wildfires, insurrections and the pandemic raged around them.“I was working at a bookstore that winter,” Farmer explains, “and I’d walk to my shift every day, obsessing over lyrics and early mixes in a cheap pair of earbuds.” These daily walks would take him past a church, where he’d often stop on the sidewalk and listen to the bells at the top of the hour. “I’ve always loved the sound of church bells, but as the situation worsened, what began as a comfort began to feel ominous, almost threatening.” This experience, along[1]side influences as disparate as Tarkovsky’s film Andrei Rublev and the novels of Olga Tokarczuk, led to a collection of songs that are similarly foreboding, expanding upon the stark and spacious universe of Farmer’s last album (2020’s Still No Mother) to reveal an atmosphere that’s even more oppressively still, like an abandoned Victorian home.

A Mold For The Bell

Music EU