Name: New York
Brand: Lou Reed

Tax rate EU

Default:19

Supplier EU

Warner Music Group Germany Holding GmbH

Total Cap

Format detail

Deluxe Edition

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2020-09-25

Format multiplier

Catalogue number

349784755

UPC / Barcode

603497847556

Artist

Lou Reed

Label EU

Rhino

Genre EU

Alternative / Modern

Rhino Records, also known as Rhino, is a renowned music label that was established in 1973 by Richard Foos. Starting as a record store in Westwood California, Rhino quickly gained recognition with its first successful release "Go To Rhino Records" by Wild Man Fischer in 1975. The label's early logo featured "Rocky the Rhino" and focused on novelty, surf, local new wave bands, and reissues of out-of-print records from other labels.

Under the guidance of Bill Inglot for production, Ken Perry for mastering, and A&R team Gary Stewart and James Austin, Rhino expanded its catalog to include a wide range of reissues by the mid-1980s. The label underwent a logo redesign during this time period to simply "Rhino". In 1984, Rhino released its first CD and became known for manufacturing high-quality CDs made by Sanyo (1984-85) and various manufacturers from Japan or Switzerland thereafter.

In 1985, Rhino entered into a distribution deal with Capitol Records which lasted until 1992. This partnership allowed access to Capitol's back catalog and led to the release of reissues of old Capitol albums. Additionally, EMI and Rhino acquired the Roulette family of labels in 1989. As their deal with Capitol came to an end in 1992, Time-Warner offered an opportunity for growth. Half of the label was sold to Time-Warner

Lou Reed was an American musician, songwriter, poet, and photographer. Born on March 2, 1942 in Brooklyn, New York, he began his music career in high school and later formed bands during his time at Syracuse University. He was deeply influenced by his professor Delmore Schwartz. In 1964, he co-founded the band The Velvet Underground with John Cale. After leaving the band in 1970, Reed signed a contract with RCA Records and continued to perform until shortly before his death in October 27, 2013.

Reed's diverse talents allowed him to excel as both a musician and a writer. His unique blend of rock music and poetic lyrics set him apart from other artists of his time. Throughout his career, he released numerous albums that showcased his distinctive style and garnered critical acclaim.

In addition to his musical achievements, Reed also had a passion for photography. His photographs captured intimate moments and offered a glimpse into his artistic vision beyond music.

Newest Listed Items

Effortlessly hopscotching between vintage acid and 80s Rn’B, insouciant Francophone pop and twinkling electro house, Lou Hayter has delivered something at once utterly unique and defiantly timeless with her much anticipated debut solo LP, released on Skint Records. It has been a long time coming for London native Hayter, who first made her mark professionally as keyboardist for New Young Pony Club, one of the bands at the epicentre of the white hot day-glo nu rave scene alongside the likes of the Klaxons and Test Icicles in 2006. But, to fully place her debut album in context, it is necessary to rewind a little bit – to the very beginning in fact, with Hayter growing up on a diet of Bowie, Prince, Human League and Jellybean-era Madonna while concomitantly learning classical piano from the age of five. The flames of this deliciously varied musical palette were further stoked by trips to record shops in Soho with her brother (Soul Jazz was a particular obsession), but it was while studying in Cambridge that the match was well and truly struck – she used her student grant to buy a set of Technics and started putting on club nights, before moving to London and working at Trevor Jackson’s seminal Output Recordings, placing Hayter smack bang in the middle of all the action, with disco punk fever hitting full force and bands like the Rapture and LCD Soundsystem first breaking out.The hugely successful, Mercury-nominated New Young Pony Club followed shortly after, but it’s through her subsequent output that she started to distil and refine her idiosyncratic tastes. And certainly, you can hear hints of both the New Sins, the 80’s New Wave duo she formed with Nick Phillips, and Tomorrow’s World, the swooning Gallic pop act she fronts alongside Air’s JB Dunckel, in her remarkable debut. Full to bursting with evocative electro-soul love letters to her home town of London alongside addictive disco torch ballads, it’s like Kylie meeting Mr Fingers or, Jam and Lewis producing Jane Birkin – something beautiful and melancholic yet sharply modern and new. From the warm, woozy, lysergic harmonies of opener “Cherry on Top”, which sound like a beloved old cassette unravelling, to the fizzy, infectious “Cold Feet”, which calls to mind Lisa Lisa and Cult Jam at their most heartworn, taken in toto the album perfectly nails the essence of gorgeously nostalgic synth-pop with a twist; crisp, stylish and sophisticated music which heralds the next chapter of Lou Hayter quite nicely, actually. Her retro-futuristic results will give 2021 the pop fix it so desperately needs.

New York

Music EU