Name: Orotunds
Brand: Maulawi

Tax rate EU

Default:19

Supplier EU

The Orchard/SPV (Membran)

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2023-08-11

Format multiplier

Catalogue number

BBEALP684

UPC / Barcode

196626457486

Artist

Maulawi

Label EU

Genre EU

Jazz

Founded in 1996, Bbe is a UK based record label known for releasing original works and compilations. With a strong association with prominent DJs, the label has released numerous collections in various genres including jazz, soul, hip-hop, r'n'b, house, and drum'n'bass. Bbe's releases feature a diverse range of artists such as *Peter Adarkwah*, *Ben Jolly*, *DJ Spinna*, *J Dilla*, *Kenny Dope*, *Marley Marl*, and many others.

Barely Breaking Even (Bbe) was established by Peter Adarkwah and Ben Jolly to showcase both their own creations and curated compilations. Over the years, Bbe has gained recognition for its compilation series like "The Beat Generation," "Kings of..." and "Strange Games & Funky Things." These releases have become synonymous with quality music from renowned DJs.

The label's extensive catalog includes works from notable artists such as *Roy Ayers*, *Pete Rock*, *Dwele*, *Louie Vega*, *Talib Kweli* and many more. Whether you're a fan of soulful melodies or infectious beats, Bbe offers an impressive collection that caters to diverse musical tastes.

Newest Listed Items

In association with DJ Amir's 180 Proof Records, BBE Music continues to bring the rarest of music to jazz heads everywhere with its latest Strata gem, Maulawi Nururdin's Orotunds, a virtually unknown and previously unreleased album. Although there is an element of mystery to almost all jazz musicians, few are ever quite as enigmatic as Maulawi Nururdin. A legendary band leader and reedist to his disciples, information about Maulawi's personal life and early years is so scarce that even his birth name remains unknown. What is known is that Maulawi was a tougher-than-nails Chicagoan by birth, inescapable mentor to others, and a virtuoso jazz musician unlike any other. The earliest notes in Maulawi's history begin on the south side of Chicago as a close associate of the Association for the Advancement of Creative Musicians with AACM pioneers Muhal Richard Abrams, Fred Anderson, Billy Brimfield and Roscoe Mitchell. From the beginning, Maulawi was a self assured leader, unafraid to boot other musicians off stage, commandeer their instrument, and give them an impromptu lesson on how to play it right. An intimidating figure in his signature beret and goatee, Maulawi wasn't a stranger to the streets, and often spent his free time driving around, hipping his prot?g?s to real life on the Chicago south side. But it would be his reputation as a musician, and not a streetwise bandleader, that would bring Maulawi to the doors of Strata Records. "Maulawi could really, really play," says percussionist Adam Rudolph, who, at 16 years old, began practicing and playing with Maulawi in the early 1970s. It was Rudolph who would introduce Maulawi to Strata's Charles Moore, a meeting which would lead to Maulawi's self-titled 1973 debut, the first album recorded by Strata by an artist from outside of Detroit. True to the mysterious nature of Maulawi, even the story behind the recording of Ortunds is in dispute. They were either part of the 1973 sessions for Maulawi, recorded in a single night in Chicago, or from an unmixed session that took place in the Streeterville neighborhood at a later date. History aside, Ortunds never fails to astonish. Composed by Maulawi himself, Ortunds is an album of mostly Pop and R&B songs, all elevated by tip-toe funk tempos and Maulawi's wildly inventive soprano saxophone. Tracks include Thom Bell and Linda Creed's "People Make The World Go Round," as well as the Burt Bacharach and Hal David-penned classic, "I Say A Little Prayer." The title track is a drum and bass driven showcase, the perfect platform for Maulawi to strut his sublime expressionist style on the Saxophone. The album ends with a real find - a rarely heard spoken recording of Maulawi himself, introducing the players and defining the title Ortunds as "full, clearness, strength and smoothness."

Orotunds

Music EU