Name: Original Album Series
Brand: Miles Davis

Tax rate EU

Default:19

Supplier EU

Warner Music Group Germany Holding GmbH

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2012-09-21

Format multiplier

Catalogue number

8122797195

UPC / Barcode

81227971953

Artist

Miles Davis

Label EU

Rhino

Genre EU

Rock-Pop

Trumpeter, bandleader, composer, and one of the most important figures in jazz music history. Miles Davis adopted a variety of musical directions in his five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born on May 26, 1926 in Alton, Illinois, USA and passed away on September 28, 1991 in Santa Monica, California at the age of 65. He is best known for his seminal modern jazz album "Kind of Blue" (1959), which remains the highest selling jazz album of all time with six million copies sold.Miles Davis studied at an academic school for musicians in NYC where he met Charlie Parker and they started playing together from 1945. In 1948, Miles Davis formed his own ensembles and collaborated with Gil Evans to create The Miles Davis Nonet. Their recordings from 1949 to 1950 resulted in the album "Birth of the Cool" (1957) and laid the foundation for their future collaborations.A pioneer of 'Hard Bop' in the mid-1950s, Miles Davis constantly pushed boundaries throughout his career. In the late 1960s, he ventured into experimenting with electronic instruments and incorporating rock and funk rhythms into his music. Despite health problems leading to a hiatus from playing in the mid-1970s, he made a comeback with an 'electronical' sound in 1980.

Rhino Records, also known as Rhino, is a renowned music label that was established in 1973 by Richard Foos. Starting as a record store in Westwood California, Rhino quickly gained recognition with its first successful release "Go To Rhino Records" by Wild Man Fischer in 1975. The label's early logo featured "Rocky the Rhino" and focused on novelty, surf, local new wave bands, and reissues of out-of-print records from other labels.

Under the guidance of Bill Inglot for production, Ken Perry for mastering, and A&R team Gary Stewart and James Austin, Rhino expanded its catalog to include a wide range of reissues by the mid-1980s. The label underwent a logo redesign during this time period to simply "Rhino". In 1984, Rhino released its first CD and became known for manufacturing high-quality CDs made by Sanyo (1984-85) and various manufacturers from Japan or Switzerland thereafter.

In 1985, Rhino entered into a distribution deal with Capitol Records which lasted until 1992. This partnership allowed access to Capitol's back catalog and led to the release of reissues of old Capitol albums. Additionally, EMI and Rhino acquired the Roulette family of labels in 1989. As their deal with Capitol came to an end in 1992, Time-Warner offered an opportunity for growth. Half of the label was sold to Time-Warner

Newest Listed Items

Miles Davis created just one studio album with his original sextet: Milestones. And he made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, Davis not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Sandwiched between the more famous Round About Midnight and the epochal Kind of Blue, Milestones remains a seminal work of art.Sourced from the original master tapes and pressed on dead-quiet SuperVinyl, Mobile Fidelity's numbered-edition 180g LP grants each musician their own space amid broad soundstages. Afforded the benefits of a nearly non-existent noise floor and supreme groove definition, this vinyl reissue doubles as a time machine back to the February-March 1958 recording sessions.Colors, shapes, and dimensions appear in the manner that resembles what you'd glean from behind a studio control room's window. Davis' burnished trumpet is rendered in three-dimensional perspective and seemingly coaxes the band to play with unburdened zest. Coltrane's trademark saxophone teems with lifelike tonality and images with specificity; his solos work in tandem with and against the driving rhythms. Garland's swaggering piano lines? Visualize the keys as he hits full stride, the chords and fills slithering around skeletal frameworks.Inducted into the Grammy Hall of Fame and selected as a "Core Collection" record by the Penguin Guide to Jazz, Milestones is as famous for its title track – widely considered ground zero for modalism and bolstered by Jones' hallmark "Philly Lick" rim shot – as the players that produced it. The launching pad for many of Davis' improvisational flights, the album teases the explorations Coltrane would soon chase. Davis' own solo work broaches territories that far exceed what he had done in his bop-rooted past. Every song is a highlight.Take the bravado "Dr. Jackle," featuring a hot-foot pace and bebop strains, or "Sid's Ahead," which continues the album's blues theme while juggling edgy harmonics and inside-out structures. On "Billy Boy," distinguished with an arco bass solo from Chambers, Garland gets a turn in the spotlight and channels the openness practised by one of his heroes, Ahmad Jamal. Even more instructive is the band's reading of Dizzy Gillespie's "Two Bass Hit." Three years removed from the version Davis and company recorded for the trumpeter's Columbia debut, this interpretation demonstrates the extent to which the group had jelled in a relatively short amount of time.Then there's "Straight, No Chaser," the definitive rendition of Thelonious Monk's signature piece. Coltrane's marbled playing pulls at the tune's borders, Adderley takes liberty with solos, and Davis dances around his mates, at one point quoting "When the Saints Go Marching In" while demonstrating his knowledge of tradition and casting an eye towards the future.About that future. Garland already had one foot out the door during the Milestones sessions to the extent Davis spells him on "Sid's Ahead." Jones would stick around for a bit longer but soon plot his exit. History proves Davis navigated the changes with visionary aplomb. Yet the chemistry, excitement, and beauty the sextet achieves on Milestones cannot be overstated. This reissue helps put the album in proper perspective – and presents the music the fidelity it deserves.

Original Album Series

Music EU