Name: Trax!-Box-
Brand: Ministry

Tax rate EU

Default:19

Supplier EU

The Orchard/SPV (Membran)

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2015-04-18

Format multiplier

Catalogue number

CLP6660

UPC / Barcode

741157666021

Artist

Ministry

Label EU

Cleopatra

Genre EU

Rock-Pop

Los Angeles-based independent record label founded in 1992 by entrepreneur and music fan, [a511570].
Brian acquired his love for the music business by becoming an active participant in the Los Angeles club scene through the 1980/90's. The label was officially launched with three releases, [a11286] (a space rock band from the SF bay area), followed by the release of [a233658]'s "On Parole". The third release, was actually a series of reissues by electronic pioneers [a4654].
They specialize in all genres, including A Capella, Acid, Adult, Aggro Rock, Ambient, Big Band, Blues, Breakbeat, Breaks, Chill, Drum & Bass, Electronica, Experimental, Gothic, Hardcore, Indie, Industrial, Krautrock, New Wave, Oi!, Punk, Reggae, Synthpop and Techno.

Ministry is the brainchild of Al Jourgensen. Beginning in 1981, playing synth-pop with a strong disco influence, they released their first 12" on Wax Trax! Records, before being signed to Arista and releasing their debut "With Sympathy," in 1983. After a falling out with the label and the direction of the project, Jourgensen returned to Wax Trax! to release a series of 12" Singles, including "Everyday Is Halloween," which became an instant club favorite and would go on to become one of the band's most popular songs.

Jourgensen then signed to Sire/Warner Bros. Records in 1985. Ministry's second album "Twitch," was produced by Adrian Sherwood, and had a more menacing sound reflecting Jourgensen's interest in the international EBM (electronic body music) scene of the time. Ministry's third album, "The Land of Rape and Honey," (1988), was both a natural evolution of their aesthetic and a sharp break with previous pop tendencies and, with the arrival of Paul Barker and other new members, Ministry's sound developed into a crossover between EBM, industrial, and heavy metal.

Their experimentation with heavy metal continued with subsequent albums like "The Mind Is A Terrible Thing To Taste" (1989) where guitar took on much more importance to their sound. Ministry's breakthrough album, "Ps

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After enduring a year like 2020, no one could have possibly expected Al Jourgensen to stay silent on the maelstrom of the past 12 months. As the mastermind behind pioneering industrial outfit Ministry, Jourgensen has spent the last four decades using music as a megaphone to rally listeners to the fight for equal rights, restoring American liberties, exposing exploitation and putting crooked politicians in their rightful place—set to a background of aggressive riffs, searing vocals and manipulated sounds to drive it home. As Jourgensen watched the chaos that befell the world during the height of a global pandemic and the tensions rising from one of the most important elections in American history, he seized on the opportunity to write, spending quarantine holed up in his self-built home studio—Scheisse Dog Studio— along with engineer Michael Rozon and girlfriend Liz Walton to create Ministry’s latest masterpiece, Moral Hygiene. Anchored by last year’s leadoff track “Alert Level”—which asks listeners to internalize the question “How concerned are you?”—the 10 songs on this upcoming 15th studio album cover the breadth of the current dilemmas facing humanity, while ruminating on the sizable impact of COVID-19, the inevitable effects of climate change, consequences of misinformed conspiracies and the stakes in the fight for racial equality. And most importantly doing so with the lens of what we as a society are going to do about it all. In addition to recruiting long-time cohort Jello Biafra (Jourgensen’s partner in the side project Lard) for the quirky earworm “Sabotage Is Sex,” other guest appearances include guitarist Billy Morrison (Billy Idol/Royal Machines) on a rendition of The Stooges hit “Search &amp; Destroy.” Another standout track is “Believe Me,” featuring a throwback vocal style from Jourgensen that harkens back to his singing on Twitch and cult classic “(Every Day Is) Halloween.” The song came out of a jam session with Morrison, Cesar Soto and sampling from Liz Walton, and reminded Jourgensen of his formative days at Chicago Trax Studios where communal ideas were constantly informing early Ministry records.

Trax!-Box-

Music EU