Name: Last Night Remixed
Brand: Moby

Tax rate EU

Default:19

Supplier EU

Warner Music Group Germany Holding GmbH

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2008-11-03

Format multiplier

Catalogue number

509992428662

UPC / Barcode

5099924286626

Artist

Moby

Label EU

Mute

Genre EU

Moby is one of electronic music's most visible and talked-about figures. His career spans many years and musical genres, from early rave and acid-house releases to his current R&amp;B/blues/pop/techno sample cut-ups. Notable tracks include "Next Is The E", "Everytime You Touch Me", and "Go". He found pop success with the album "Play" in 1999, which spawned hits like "Honey" and "Porcelain". Moby is also known for his outspoken religious, dietary, and animal rights views.In addition to making music, Moby has founded two labels and co-founded restaurants in New York City and Los Angeles. He has written several books including memoirs, a photography book, and cookbooks. Before becoming a DJ, he worked as a golf caddy.

Please note, some Mute issues also carry an EMI logo. This is not a label and EMI should not be added as a label, it instead indicates that Mute was part of the EMI Group.

Founded in 1978 by [a=Daniel Miller], Mute (also known as [l36339]) releases various forms of music, with an emphasis on electronic and experimental pop. In May 2002 the label was acquired by the [l=EMI Group]. In 2010 Miller did an agreement with EMI to handle Mute as an independent label again, licensing the trademark from EMI via his company [l=Mute Artists Ltd.], but EMI kept the rights over Mute's back catalogue. After the EMI Group was dissolved, in 2012 [l206061] acquired [l636]'s back catalogue.

Branch offices exist in Germany ([l168349]) and in North America ([l36296]). 

Mute has spawned many regional and special-interest sublabels, some of which are still active. One offshoot, [l=Parallel Series], even became independent of [l636] Mute also operates Mute Bank Mail Order, which sells the label's merchandise directly to consumers. Mute Bank published two issues of [i]Mute Statement[/i], a softcover book that details the entire discography of the label and includes band profiles and photos of release artwork.

Another label strongly associated with Mute is [l=Toast Hawaii], run by [a=Depeche Mode]'s [a=Andrew Fletcher].

Label code: [b]LC 05834[/b] / [b]LC 5834[/b]

‘[b]P[/b]’, included to the catalog numbers,
generally stand for promo copies.
‘[b]L[/b]’, included to the catalog numbers,
generally stand for limited editions.

Newest Listed Items

<p>remixing has been at the heart of the moby machine for fifteen years now. in 1992 alone, moby himself mixed everyone from the b52s and the prodigy and brian eno to jam and spoon and michael jackson. "one of the best things about producing and remixing other artists is to deconstruct their master tapes and see how they've put their songs together," he say's. "remixing 'beat it' was amazing, as i was able to deconstruct an iconic song produced by quincy jones. it was almost like going back to school." since then, he's remixed everyone from aerosmith and the beastie boys to david bowie and metallica. from steve angello's seminal mix of 'raining again' to trentemoller's haunting remake of 'go', moby's music has always found a place on the best dance-floors and podiums. 'go - the very best of moby: remixed' featured classy remakes from vitalic, katcha, armand van helden and mylo - and now 'last night remixed' looks set to continue that tradition. "remixes in 2008 are more important than they've ever been," continues moby. "and the great thing about the ubiquity of software like abelton and logic is that now almost anyone can be a remixer." so now it's the turn of the new breed to turn their hand to moby's own music. the cream of the current electronic crop have all been enlisted to remix tracks from 'last night', which is surely the most disco moby album this decade. indeed, rather than the tech / house style re-rubs of previous records, the new mixes all share an uplifting electro-disco sound that has seen a shift from 'hotel' back to the discotheque. indeed, the freemasons remix of 'disco lies' was a hit for everyone from pete tong (who opened his show with the mix at the start of august) to dave spoon and carl cox. it's probably the album's biggest anthem. but it's far from the only highlight here. 'i love to move in here' has been remixed by new york disco-punk outfit holy ghost!, french producer kris menace takes on 'ooh yeah', german electro producer tocadisco suggests we 'live for tomorrow', the shapeshifters remake 'i'm in love' and seamus haji brings his typically frenetic beats to 'i love to move in here'. elsewhere, you'll find bass-driven club mixes from brooklyn newcomers drop the lime, breaks don general midi, dutch producer mason and sheffield's own d ramirez.</p>

Last Night Remixed

Music EU