Name: Feels Like Home
Brand: Norah Jones

Tax rate EU

Default:19

Supplier EU

Universal Music GmbH

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2004-02-06

Format multiplier

Catalogue number

5983660

UPC / Barcode

724359836607

Artist

Norah Jones

Label EU

Blue Note

Genre EU

Classical

Norah Jones is an American singer-songwriter, pianist, and actress. She launched her solo music career in 2002 with the release of her critically acclaimed album "Come Away with Me," which sold over 26 million copies and earned her five Grammy Awards. Her subsequent albums, including "Feels Like Home" and "Not Too Late," also achieved platinum status and received positive reviews from critics. With a total of nine Grammy Awards and over 36 million records sold worldwide, Jones has established herself as one of the best-selling artists of all time.

Born Geethali Norah Jones Shankar on March 30, 1979, she is the daughter of Indian sitar player Ravi Shankar and Sue Jones. She comes from a musical family, being the niece of Anoushka Shankar and Shubhendra Shankar, the paternal half-sister of Anoushka Shankar and Norah's brother Anand Shankar, as well as a cousin to Ananda Sen Sharma (aka Deva Premal), Shibani Kashyap, and Saskia Rao-de Haas.

In addition to her successful music career, Jones made her film debut in "My Blueberry Nights" in 2007. Billboard magazine named her the top jazz artist of the 2000–2009 decade. With more than 16 million albums sold in the U.S., she continues to captivate audiences with her unique blend

Blue Note is a record label that has made a significant impact in the jazz genre. Founded in 1939 by Alfred Lion and Max Margulis, Blue Note focused on traditional jazz and swing recordings, producing timeless classics. In the 1950s, it became one of the first labels to feature bop musicians. After being acquired by *Universal Music Group* in 1965, Blue Note expanded its repertoire to include more commercially-oriented music like jazz-fusion. Throughout the years, Blue Note underwent various changes in ownership and reissue programs but continued to release new recordings and previously unreleased material.

In 1982, Blue Note catalog reissues began appearing on *United Artists Records*, which was owned by Michael Cuscuna who oversaw the UA-era reissue program. The label was later relaunched as part of *Capitol-EMI's* subsidiary *Manhattan Records* in 1985. It was during this time that Blue Note released key albums from its history and introduced previously unissued material.

In 1989, Blue Note became the division under which all of Capitol-EMI's jazz activities were organized. However, two years later, *Manhattan Records* was revived for smooth jazz and pop-jazz releases while Blue Note continued to thrive as a prominent label within Capitol-EMI's roster.

Newest Listed Items

With Feels Like Home, the follow-up to her eight times Grammy winning debut, Come Away With Me, easy listening's 24 year-old poster girl Norah Jones has a staggering weight of expectation to live up to. However, anyone expecting to be wowed from the start stands to be disappointed. At face value it's Come Away with Me MkII, albeit a more countrified version without the instantly dreamy and delightful melodies of "Don't Know Why" and "Come Away with Me". Over the long haul though, it's a quietly brilliant leap forward that not only lives up to expectation, but far exceeds it. With "Sunrise", "Those Sweet Words" and "Carnival Town" Jones ushers in more gentle sauntering and jazz-sweet reflection, but this time the understated dirt-track atmospheres don't just conjure pretty twilight moods; they convey a beauty and a powerful emotional cache that lingers. Likewise, "The Prettiest Thing" murmurs with tender sadness while the low-slung swagger of "In the Morning" broods with so much lip-curling passion it's almost seedy. However, the proof of just how far Jones has come lies in "Don't Miss You At All". A humbling end-of-the-affair lullaby built around the two-in-the-morning piano of Duke Ellington's instrumental "Melancholia", it's as moving as it is brave. --Dan Gennoe

Feels Like Home

Music EU