Name: Jardin au fou
Brand: Roedelius

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2009-03-27

Format multiplier

Catalogue number

5927891

UPC / Barcode

4047179278911

5927892

4047179278928

Artist

Roedelius

Label EU

Bureau B

Genre EU

Electronic

Bureau B is an independent record label, music publisher, and booking agency based in Hamburg, Germany. Founded in 2005 by Gunther Buskies as a sister label to Tapete Records, Bureau B specializes in releasing a diverse range of electronic and avant-garde music. With a focus on reissues and new productions, the label has built an extensive catalogue that includes iconic albums from the Krautrock genre of the 1970s and early 1980s. They also release recordings by influential artists such as Die Wilde Jagd, Kreidler, Toulouse Low Trax, and more.

Known for their commitment to preserving classic electronic music, Bureau B has been rereleasing albums from renowned artists like Cluster, Faust, Moebius, Roedelius, Plank, Schickert Schnitzler Tietchens Tyndall. In addition to these reissues, they also release works by similar artists including Blenner Heldon Pinhas Rev or NDW Plan Pyrolator.

With their impressive catalogue and dedication to promoting innovative music across various genres within the electronic spectrum - from pop to avant-garde - Bureau B continues to be a prominent force in the global music industry. Their contributions have solidified them as an authoritative figure in the world of independent labels.

A pioneer in the field of electronic music, Hans-Joachim Roedelius is considered one of the founders of contemporary popular electronic music. Born on October 26th, 1934, in Friedenau / Berlin, he has lived in Baden, south of Vienna since 1978 where he began his career as a professional composer/musician/writer in the late sixties. He has appeared on well over 100 releases between his own work and collaborations with various composers and musicians including Brian Eno, Holger Czukay, Michael Rother, and many others.

Roedelius was a founding member of several experimental groups and projects such as "Geräusche," "Plus/minus," "Per Sonare," "Kluster," "Cluster," "Harmonia," and more. In 2011, he formed a new variant of Cluster called Qluster alongside Onnen Bock after breaking off formal ties with Dieter Moebius. Throughout his career, Roedelius has also collaborated with choreographers for various festivals including the Wiener Festwochen and Donaufestival.

Influenced by artists like Cluster, Harmonia, and Ashra, Roedelius' unique sound experiments have

Newest Listed Items

tenth solo album, first released in 1984. his most commercially successful album to date. on 'gift of the moment' roedelius broke away unequivocally from purely electronic music. if 'lustwandel' and 'jardin au fou' had seen the process set in motion, this was the album that completed the transition. following the 'selbstportraits', which had at least been created through the use of electric organ and synthesizers, roedelius focussed on the grand piano, sometimes accompanied by a cello, violin and guitar. distant echoes of a not so distant musical past could only be detected in the occasional appearance of sparse chords played on a polyphonic synthesizer. the album wore a veil of delicate melancholy: no vibrant folk dances, no colourful carousels, no cheerful melodies. instead, roedelius offered a calm, almost detached form of music, openly acknowledging romantic heritage. 'gift of the moment' eluded contemporary definitions of the 'experimental' concept, as roedelius was now experimenting in new, eclectic areas, too weighty, too grainy to be labelled 'proto new age'. roedelius was not striving for perfection, but for authenticity, a music stripped of disguise; and to this end he left little playing errors in the mix, fading out tracks rigorously to eliminate any bigger blunders.

Jardin au fou

Music EU