Name: Shannon In Nashville
Brand: Shannon Shaw

Tax rate EU

Default:19

Supplier EU

Warner Music Group Germany Holding GmbH

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2018-06-08

Format multiplier

Catalogue number

7559793080

UPC / Barcode

75597930801

7559793083

75597930832

Artist

Shannon Shaw

Label EU

Nonesuch

Genre EU

Alternative / Modern

Nonesuch is a US record label that was created in 1964 as a budget label for classical releases. It eventually expanded to include adventurous music from around the globe and world-premiere recordings of contemporary composers. Nonesuch has gone through various ownership changes over the years, including being acquired by Warner Communications in 1970 and becoming a sub-label of Warner Bros. Records in 2004.

Under the leadership of Jac Holzman, Nonesuch was established as a budget label for classical releases licensed from large record companies in Britain and France. Designed by Bill Harvey, the packaging emphasized affordability with releases marketed as "Recordings at the Price of a Quality Paperback."

In 1970, Nonesuch became part of Warner Communications (Kinney/WEA) and continued to release music under its own name along with other Elektra-based labels like Elektra and Asylum Records. The merger between Elektra and Atlantic labels in 2004 resulted in Nonesuch becoming a sub-label of Warner Bros. Records within the Warner Music Group.

Newest Listed Items

Shannon Shaw, the captivating vocalist, bassist, and founder of Shannon and the Clams, strikes out on her own for her first solo album, Shannon in Nashville. Produced by The Black Keys’ Dan Auerbach at his Nashville studio, Easy Eye Sound, the album features a cast of revered old-school session musicians which have breathed life into notable records by Elvis Presley, Aretha Franklin, Willie Nelson, and John Prine, to name just a few. The album evokes the tear-jerking intonations of Brenda Lee and Patsy Cline and exudes a self-possessed melancholy that sets the scene for Shaw to comb through a personal history of love lost to time, circumstance, fear or neglect. Shannon In Nashville’s title is a nod to Dusty Springfield’s 1969 classic Dusty in Memphis, and Shaw made her own pilgrimage down South to collaborate with Dan Auerbach and his all-star house band comprised of drummer Gene Chrisman and Bobby Wood (keys and percussion) of the Memphis Boys, American Sound Studio’s house band that recorded hits by Elvis, Aretha, Neil Diamond, Herbie Mann, and, yes, Dusty Springfield. Rounded out by bassist Dave Roe, guitarists Russ Pahl, Auerbach and others, Shaw’s session crew boasts a mile-long resume. Shaw initially brought six songs to the table, and the rest were written from scratch on group songwriting days. The resulting record’s lush orchestration seamlessly melds the Nashville Sound with the Motown Sound—both known for crossing a type of roots music over into pop—and provides the wings for Shaw’s songwriting prowess and naturally anguished, torchy voice to soar.LP - Heavyweight 140 Gram high-performance vinyl, with Download.CD - Softpack.

Shannon In Nashville

Music EU