Name: De-Loused In The Comatorium
Brand: The Mars Volta

Tax rate EU

Default:19

Supplier EU

Universal Music GmbH

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2003-06-23

Format multiplier

Catalogue number

9860298

UPC / Barcode

602498602980

Artist

The Mars Volta

Label EU

Universal

Genre EU

Rock-Pop

The Mars Volta is a Los Angeles-based band that was formed in 2001. Led by Cedric Bixler and Omar Rodriguez, the group ventured into hardcore, psychedelic rock, and free jazz genres after splintering from their previous band, At the Drive-In. However, in 2013, Bixler-Zavala announced his departure from The Mars Volta and the subsequent breakup of the band. Following this, Cedric and Omar went on to create another project called Bosnian Rainbows. Fortunately for fans, The Mars Volta reunited in June 2022.
With their unique blend of musical styles and experimental approach to sound, The Mars Volta has captivated audiences since their inception. Their music pushes boundaries and defies traditional genre categorizations.
Whether you're a fan of hardcore punk or free jazz improvisation, The Mars Volta's discography offers something for everyone. From their debut album "De-Loused in the Comatorium" to later releases like "Frances the Mute" and "The Bedlam in Goliath," each record showcases the band's exceptional musicianship and fearless creativity.

Newest Listed Items

Beneath the technical flash, the fury, the fearless creative brinkmanship of the first two Mars Volta albums lay a potent seam of the blues, an existential vexation that powered every twist and turn of Omar and Cedric’s imaginations. That mournful vibe would come to the surface of the group’s third full-length Amputechture, a simmering/blistering set that was unquestionably the group’s darkest yet. There was no overarching theme here, no interlinking concept binding the songs together, though Cedric concedes that, lyrically, the album was influenced “by a lot of stuff I was going through, a really bad break-up and a lot of other crazy stuff, and trying to put that feeling into the record.” But Amputechture – its name another of the late Jeremy Michael Ward’s invented words – was no downbeat bummer. Opener Vicarious Atonement might’ve been a deliciously gloomy, slow-burning thing, capturing Cedric in delirious duet with Omar’s swooning guitar lines, accompanied by squalling saxophone by Adrian Terrazas-Gonzales and dream-frequency fuckery by the group’s new sonic manipulator, former At The Drive- In member Paul Hinojos. But second track Tetragrammaton swiftly set pulses racing, an epic-in-miniature and containing more ideas within its 16 minutes than most bands manage over an entire career, its proggy, complex guitar figures tessellating in infinite configurations and converging as if conforming to mathematical formulae from another reality.Side note : John Frusciante features on every track here.

De-Loused In The Comatorium

Music EU