Name: Cruisin' Rockabilly
Brand: Various

Tax rate EU

Default:19

Supplier EU

Bertus Musikvertrieb

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2014-06-23

Format multiplier

Catalogue number

NOT3CD166

UPC / Barcode

5060342021663

Artist

Various

Label EU

Not Now

Genre EU

Rock-Pop

Newest Listed Items

<p>First volume in a series of four 2CD digipac sets. Covering the story of acoustic blues from 1923 to 1939. Pre-war recordings, a total of 58 tracks, carefully re-mastered from the original 78s. 134-page booklet with rare photos and in-depth liner notes and bios. Blues greats like Blind Lemon Jefferson, Tommy Johnson, Charley Patton, Son House, Bukka White, and Robert Johnson alongside blues obscurities like Rube Lacy, Little Hat Jones, a.m.o. August 10, 1920 was a crucial day for the future of the blues. That's when Mamie Smith recorded her groundbreaking Crazy Blues for OKeh Records. Her glamorous approach to the music was solidly based in the vaudeville tradition, the accompaniment dominated by jazzy horns and flowery piano. The next big trend to emerge a little later in the decade revolved around blues guitarists, virtually all of them originally hailing from the rural South, their approach closely related to field hollers and work songs. Many were veritable virtuosos on their instruments. Lonnie Johnson, Blind Willie McTell, Blind Blake, and Skip James mapped out the guitar-dominated long-term future of the idiom with every 78 they released. These giants made their nimble fretwork heard over the cacophonous din inside the rowdy juke joints where they plied their trade by fretting their instruments with a slide or bottleneck. They achieved a fluid, crying sound on their acoustic axes, or pounded the hell out of their boxes with forceful chording. Performers popular enough to afford them acquired flashy steel-bodied National guitars that resonated louder than standard models. Blind Lemon Jefferson proved a sensation with rural blacks after he was discovered in Texas in 1925 or '26, underscoring the commercial potential of downhome blues. The crushing poverty of the Depression brought the first boom of blues recording to an abrupt halt at the dawn of the 1930s. But the first two decades of recorded blues were a veritable goldmine of acoustic guitar brilliance. This collection offers a splendid cross-section of the very best.</p>

Cruisin' Rockabilly

Music EU