Name: Darling The Dawn
Brand: All Hands_Make Light

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2023-04-21

Format multiplier

Catalogue number

157861

UPC / Barcode

666561017118

157862

666561017125

Artist

All Hands_Make Light

Label EU

Constellation

Genre EU

Electronic

Distributed by <a href="http://scdistribution.com">SC Distribution</a>, Constellation has established itself as a reputable force within the music industry. The label's commitment to quality and artistic expression shines through in every release. Whether you're a fan of experimental sounds or simply appreciate boundary-pushing music, Constellation offers an unparalleled listening experience.

Discover the captivating world of Constellation today and immerse yourself in the extraordinary talent that this Canadian label has to offer.

ALL HANDS_MAKE LIGHT

Newest Listed Items

For fans of Pentangle, Can, Amps for Christ, White Magic, Trees, Windy and Carl, Kali Malone, Thee Silver Mt Zion. The new kosmische electronic shoegaze duo of Ariel Engle (Broken Social Scene, Patrick Watson, La Force) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). Longtime friends, collaborators, and stalwarts of the Montréal post-punk community, this is their first full-fledged project together. Mixed by Jace Lasek (The Besnard Lakes) and featuring guest players Jessica Moss (Thee Silver Mt Zion, Big | Brave) and Liam O’Neil (Suuns). AH_ML weaves these 2 unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck’s eponymous modular and analog synth-based work of recent years, now imbued with an additionally searing, soulful warmth and melodicism through Engle’s singing. Darling The Dawn is a spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, flowing from ambient minimalism to pulsing maximalism, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires. Engle and Menuck see AH_ML in a folk lineage traced through the likes of Pentangle and Trees to White Magic and Amps For Christ. While there’s no discernable guitar or acoustic instrumentation on the album (warm distorted synths provide the palette, along with signal-processed violin from fellow-traveller Jessica Moss), off-kilter drone incantations like “A Sparrow’s Lift” and “A Workers’ Graveyard (Poor Eternal)” perhaps sit most overtly within these seams of the skewed-folk substratum. The dichotomic ritualism of Can is an adjacent signpost, where methodical longform soundscaping combines with a feeling of extemporized immediacy. The album’s tremendous 10-minute centerpieces “We Live On A Fucking Planet And Baby That’s The Sun” and the motorik-driven “The Sons And Daughters Of Poor Eternal” also make this influence explicit thanks in part to the resplendent drumming of guest Liam O’Neil (Suuns), who helps propel both tracks to their spiralling peaks. Above all it’s the singing and lyrics, in method and melodic delivery, that conjure certain freak-folk furrows. Engle calls this “music inspired by ancestor music, sea shanties for seas we’ve never sailed” and the duo have indeed forged a collection on “Darling The Dawn” where vocals often feel strangely rooted in traditionals, while the instrumentation resonates out-of-time, in a liminal space at once glisteningly synthetic and oxidized in analog patina. As the album title suggests, sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs: “I mostly kept the first thought I had, like a cold read, I wanted the melodies to be immediate and to surprise me, not a laboured process; it’s about being a weather vane, guided by preconscious impulses” says Engle. For Menuck, the record started “with an idea of making a long thing about ‘The Dawn’, the different weights of its radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you haven’t slept.” Darling The Dawn captures a wholly compelling collaboration between Engle and Menuck in an album of genuine thematic power, thrumming with alternately tender and serrated beauty as only their combined strengths and sensibilities could conjure.

Darling The Dawn

Music EU