Name: Kimosabè
Brand: Dope Lemon

Tax rate EU

Default:19

Supplier EU

Warner Music Group Germany Holding GmbH

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2023-09-29

Format multiplier

Catalogue number

405053883823

UPC / Barcode

4050538838237

Picture Disc

405053883825

4050538838251

Sea Blue Vinyl

405053883826

4050538838268

Artist

Dope Lemon

Label EU

BMG Rights Management

Genre EU

Alternative / Modern

Angus Stone is an Australian soul and pop singer, record producer, and audio engineer. He gained recognition as one half of the musical sibling duo Angus & Julia Stone, with whom he has released four studio albums. Stone's debut solo album, Smoking Gun, was released in April 2009 under the pseudonym Lady of the Sunshine and reached the top 50 on the ARIA Albums Chart. His second solo album, Broken Brights, was released in July 2012 and peaked at number 2. Currently recording under the moniker Dope Lemon.

BMG Rights Management is a multinational label that was established as a joint venture between Bertelsmann AG and Kohlberg Kravis Roberts & Co. It operates under the name BMG Chrysalis in the USA, UK, and Sweden, following its acquisition of Chrysalis plc. In 2012, Bertelsmann bought out Kohlberg Kravis Roberts & Co.'s share of the company after an unsuccessful attempt to acquire EMI's recorded-music assets. While BMG Rights Management is the successor of the original Bertelsmann Music Group (BMG), it has undergone significant changes and now operates independently with no connection to its former incarnation.

BMG Rights Management 

Newest Listed Items

Kimosabè – the fourth studio album from Dope Lemon. Kimosabè is a divine, open-armed, open-ended universe. It’s the first Dope Lemon album that reveals the face of Angus Stone, the project’s impresario himself, on the album’s cover, because “this record is everything that’s me.” “In the past, the artwork has been real anonymous, in a way, because I was trying to explore these styles, and having this shield in front of me was beautiful – I could sort of slink around in the shadows and wouldn’t have the public make judgement on the person behind it,” Stone says. “This record, I had moments of clarity reflecting on my childhood and I was able to see where I want to be in the future. Putting myself on the cover just felt right.”

Kimosabè

Music EU