Name: Live on Beat-Club '71-'72
Brand: Fanny

Tax rate EU

Default:19

Supplier EU

Rough Trade US

Total Cap

9999

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: Yes

Rough Trade Exclusive

Rough Trade Exclusive: Yes

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2024-06-21

Format multiplier

Catalogue number

LP-RGM-1735RT

UPC / Barcode

848064017356

Red LP | Rough Trade Exclusive

Artist

Fanny

Label EU

Real Gone Music

Genre EU

Rock-Pop

<p>Real Gone Music is a U.S. reissue label that was established in 2011 by two individuals who previously founded other successful labels. With a focus on reissuing music from various genres, Real Gone Music aims to bring back classic and hard-to-find albums for music enthusiasts. They have gained a reputation for their high-quality releases and attention to detail, ensuring that the original branded label is included if shown on the release. Please note that there is an unofficial entity pretending to be Real Gone Music, so be sure to look out for the authentic label when making your purchases. Also, it's important not to confuse Real Gone Music with the UK/Europe based budget reissue label that issues multi-disc box sets in different genres and series.</p>

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Are you ready to hear the best live band of the early ‘70s? We at Real Gone Music have been privileged and proud to release Fanny’s four classic Reprise albums, each a tuneful testament as to why they were the first all-female band signed to a major label. But there has always been a piece missing from the Fanny fable; for while the band hooked up with big-time producers and engineers like Richard Perry, Todd Rundgren, and Geoff Emerick, their studio albums never really were able to capture the sheer excitement they could generate in concert. However, buried away in a vault thousands of miles away from their Los Angeles base there long lay a recording that could make the Fanny myth a reality, one that could provide the emphatic answer as to why these four ladies were the hottest ticket on the Sunset Strip during the early ‘70s. Now, over 50 years later, its time—and their time—has come. 

<i>Live on Beat-Club ’71-’72</i> presents the two sets Fanny recorded for the German TV show, mastered by Mike Milchner of Sonic Vision from hi-res mono files taken from the original videotape. Aside from the incendiary and incredibly tight performances, what immediately becomes apparent is that all four of these women were powerhouses in her own right. June Millington’s stringbending Les Paul wizardry, her sister Jean’s driving, melodic bass lines and Janis Joplin-esque vocals, Nickey Barclay’s intricate yet somehow rocking keyboard work, and Alice de Buhr’s precise, piston-like drumming punctuated by ferocious fills—put together Fanny was an overwhelming display of talent, Yet somehow, as these shows reveal, live they were greater than the sum of their parts. That’s why getting these recordings released has long been a crusade for Alice, and why June tells the story in the accompanying liner notes (which feature contributions from June, Jean, and Alice) that the engineer who was assigned to do the transfers of all the Beat-Club material told her that their material was the best in the vault, better even than Hendrix.&nbsp;

Live on Beat-Club '71-'72

Music EU

Discover Live on Beat-Club '71-'72 by Fanny on Real Gone Music. Experience the raw energy of Fanny's legendary live performances from the early '70s. Vinyl records available now!