Name: INSOLO
Brand: Gary Kemp

Tax rate EU

Default:19

Supplier EU

Sony Music Entertainment Germany GmbH

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2021-07-16

Format multiplier

Catalogue number

19439863461

UPC / Barcode

194398634616

19439863462

194398634623

Artist

Gary Kemp

Label EU

Columbia International

Genre EU

English guitarist, songwriter and actor, born October 16, 1959 in Smithfield, London, England, UK. He is the guitar player and chief songwriter for the 1980s new wave band [a=Spandau Ballet].
Brother of [a=Martin Kemp]. He was married to [a=Sadie Frost] from 1988 to 1995.

Columbia Records is the oldest brand name in recorded sound. Founded in January 1889 in Washington DC as the [l112015] by Edward D. Easton, the company first sold phonograph cylinders and later disc records.

[u]For 78's that have "Exclusive Artist (At Pressing)" on labels add "Exclusive Artist" in the FTT (format) field. You can also add "Exclusive Artist (At Pressing)" into the notes[/u]. 
[b]For all unofficial / bootleg copies of this label please use [l149411][/b].

It opened a British operation shortly afterwards. This was sold in 1922 to its own management, and then the independent [l=Columbia Graphophone Company Ltd.] itself purchased its almost bankrupt former parent in 1925. This was then merged with [l=The Gramophone Co. Ltd.], which had been set up in the UK in 1896. This company was incorporated as [l293204] (EMI) in 1931. US anti-trust laws forced the UK company to divest itself of its US operations that year.

The label was introduced in Japan in 1931 by the Nippon Phonograph Co. (also known as [l630804]) which was a subsidiary of [l293204] In 1935 EMI sold its stake in Nipponophone, but Nipponophone kept ownership of the Columbia brand for Japan. After World War II, the label became part of [l=Nippon Columbia Co., Ltd.]

For the next few decades the Columbia imprint (trademark) was exclusively owned by Columbia Graphophone Co. Ltd., outside North America, Japan, and Spain, where the rights were owned by a company unrelated to Electric & Musical Industries Ltd., [l=Discos Columbia, S.A.] (it was eventually sold to BMG Spain through RCA). In the US and Canada, Columbia was owned by [l=CBS Inc.]

In 1961, Columbia set up a parent company for itself called [l=CBS Records], which was a division of CBS. In 1965, [l97841] is merged into [l253617], with the rights to the Columbia trademark subsequently being reassigned to that company.  In January 1973, [l253617] begins phasing out some of its domestic labels ([l2294], [l39354] etc.) including Columbia, in favour of the newly established EMI label, and subsequently no longer using the label for releasing pop or rock acts in much of the world (although it remained in use in parts of Asia and for non-pop releases).

On November 2, 1989, CBS sold its recording music distribution and label group to the Japanese conglomerate [l353657] for $400 million. On October 15, 1990, [l63404] (successor of [l253617]) officially sells its international rights to the Columbia trademark to Sony. On April 17, 1991, Sony's acquisition of Columbia Records and affiliated labels was completed; CBS Records was renamed to [l=Sony Music Entertainment] and the Japanese branch [l=CBS/Sony], which was formed as a venture in 1968 between [l=CBS Inc.] and Sony, was rebranded as [l=Sony Records] (now [l=Sony Music Japan]). In Spain, Sony managed to acquire the rights from [l1003], which it had merged with on August 5, 2004 as [l53569]. However, since the trademark was not owned by an EMI affiliate in Japan, Sony was not able to acquire it for that market. This is why Sony can't use the original Columbia brand nor name in Japan, where the label was operated by [l213761] until October 1, 2002, when the name was changed to [l213791] On October 1, 2010, the name was changed back to [l213761].

Today, Columbia (walking eye) remains one of the four flagship music labels operated by Sony Music Entertainment worldwide except in Japan, where Columbia (magic notes) is the primary imprint of Nippon Columbia.

[b][u]WARNING[/u][/b]: Codes with the following prefixes should not be entered as catalogue number: XSS, ZSS, AL, BL. These codes are matrix numbers unique for each side of a vinyl release and should be entered in the Barcode and Other Identifiers section. The actual catalogue number is usually printed above the matrix number.

European releases in the 1980's until the late 1990's often had supplementary numbers printed on the release in the following format:
xx-xxxxxx-xx (e.g.: 01-497424-10 in addition to short catalogue number 497424). These are not distribution codes or catalogue numbers but were added by the Dutch [l=CBS, Haarlem]/ [l=Sony/CBS, Haarlem] plants and are commonly known as Computer Numbers. Do not add them as catalogue numbers. You can add these codes as "Other" in the BaOI section with "Manufacturing code" as description.

Catalogue letters from 1989 to 2005 are listed as "CK 12345".
Label code: LC 00162.
Has the Spanish series [L=Espectacular (3)]

French Columbia shellac codes, sizes, labels colours, price codes (1951):
BF - 25 cm (10") - brown label (price code Medium)
BFX - 30 cm (12") - brown label (price code Medium)
DF - 25 cm (10") - black label (price code Standard)
DFX - 30 cm (12") - black label (price code Standard)
GF - 25 cm (10") - green label (price code Artistique)
GFX - 30 cm (12") - green label (price code Artistique)
LF - 25 cm (12") - blue label (price code Artistique)
LFX - 30 cm (12") - blue label (price code Artistique)
RFX - 30 cm (12") - red label (price code Medium)
9000 to 11672 - 30 cm (12") - black label (price code Standard)

Please note some mid 1950's (USA) 45rpm releases have on the label a release # which end with -c  "Which Indicates Country" 
4-41008-c (Year released 1957) [r=3374163]
4-41012-c (Year released 1957) [r=5144473]
4-41020-c (Year released 1957) [r=12487985]

Note some releases during 1986 up to 1991 (on record labels) have the ⎊ upside triangle (which looks like a Fallout Shelter) on the label marks this era of pressing. Found on [l442751] and also [l447694] On Lp's or 12" singles it helps designate the A side. This symbol does also appear on some CD's and cassette tapes. 

Columbia

Newest Listed Items

INSOLO is the second solo album by Spandau Ballet songwriter and Saucerful Of Secrets guitarist and co-lead vocalist, Gary Kemp. As the songwriter and guitarist in one of the most iconic bands of the 80’s, Spandau Ballet, Gary became one of the most commercially successful writers of the decade. Twenty-five years on from his solo debut Little Bruises Gary has written and produced an album that focuses on two dominant themes: the paradox of solitude in an urban landscape, and his growing obsession with life seen through a rear-view mirror and how the past infects our present. In Solo was written primarily on piano and guitar and programmed in Gary’s studio in W1; he then brought in his trusted friend and long-time collaborator Toby Chapman for further programming, more refined keyboard parts and help with the overall production. From there, the duo moved into the legendary RAK Studios in Maida Vale for much of the heavyweight recording interspersed with some loud days at Metropolis in Chiswick.As evidenced during the Saucerful Of Secrets tours and live album, Gary is at the peak of his powers as a guitarist and played all the guitars on the album. The bass duties were handled by Gary’s Saucerful Of Secrets partner, Guy Pratt (Pink Floyd, David Gilmour), except Ahead of the Game and Too Much by Richard Jones of The Feeling and Waiting for the Band by Gary’s brother, Martin Kemp. Ash Soan (Seal, Adele, Rod Stewart, Trevor Horn) played drums on Ahead of the Game, I Am the Past, The Fastest Man in the World, The Haunted and Our Light. Drums on In Solo and I Remember You were played by Ged Lynch (Peter Gabriel, Electronic, Goldfrapp). Ged also played percussion on The Haunted, In Solo and I Remember You. Drums on Too Much were played by Queen’s Roger Taylor. Matt Clifford (The Rolling Stones, Mick Jagger) played French horn on In Solo, Too Much and I am the Past. Sax on Waiting for the Band was played by Theo Travis (Soft Machine, David Gilmour, Steven Wilson), and Lily Carassik (Modern Nature) played trumpet on I Remember You.Gary’s other Saucerful compatriot, Lee Harris, played lap steel on A Rumour Of You.

INSOLO

Music EU