Name: We Have Dozens of Titles
Brand: Gastr Del Sol

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Black

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2024-05-24

Format multiplier

Catalogue number

DC836

UPC / Barcode

781484083610

Black LPx3

Standard:20

DC836CD

781484083627

CDx2

Artist

Gastr Del Sol

Label EU

Drag City

Genre EU

Alternative / Modern

Newest Listed Items

Drag City is a renowned music label that was founded by Dan Koretzky and Dan Osborn. With an impressive roster of artists, Drag City has established itself as a leading force in the music industry. Known for their diverse range of genres, the label has consistently released groundbreaking and influential albums. From indie rock to experimental folk, Drag City continues to push boundaries and nurture innovative talent.

Since its inception, Drag City has been dedicated to supporting artists who defy conventions and create unique sounds. The label's commitment to artistic freedom has allowed musicians to explore their creativity without limitations. This approach has resulted in a catalog of critically acclaimed albums that have resonated with audiences worldwide.

With an unwavering focus on quality over quantity, Drag City carefully curates its releases, ensuring each album receives the attention it deserves. Their meticulous attention to detail extends beyond the music itself, with beautifully designed album artwork and packaging that enhance the overall listening experience.

Gastr Del Sol was a post-rock band from Chicago that formed in 1991 and disbanded in 1998. Led by the talented duo of David Grubbs and Jim O'Rourke, they were known for their experimental sound and innovative approach to music. Their unique blend of genres drew inspiration from various styles including folk, jazz, and electronica.
During their active years, Gastr Del Sol released several critically acclaimed albums that showcased their musical prowess and creativity. Their discography includes influential works such as "Upgrade & Afterlife," "Camoufleur," and "Crookt, Crackt, or Fly." These albums pushed the boundaries of traditional rock music, incorporating intricate instrumentation and unconventional song structures.
Gastr Del Sol's impact on the post-rock genre cannot be overstated. They paved the way for other notable artists such as Tortoise, The Sea and Cake, and U.S. Maple. With a sound that resonated with both critics and fans alike, Gastr Del Sol left an indelible mark on the music industry. Although they may no longer be active as a band today, their legacy continues to inspire musicians around the world.

Nearly twenty-five years after disbanding, Gastr del Sol have unpacked their archive, stringing together an alternative view to their genre-melting 1993-1998 run. This assembly of previously uncollected studio recordings and beautifully captured unreleased live performances forms a spacious ode to the flux that was their métier; a further set of reinventions that continue to alter the manner in which we hear music, and literally everything else!

Like a bolt echoing back from the blue, We Have Dozens of Titles restrikes the iron of Gastr del Sol, plunging the listener (that’s us!) back into the maelstrom of their all-too-brief (-but-ultimately-long-enough-to-change-everything-incisively) passage of 1993-1998 via an assembly of previously uncollected studio recordings and beautifully captured unreleased live material.

Gastr del Sol’s music was of the transformative variety – or was it transfiguration they were up to? Or transmigration? Flux was key, to be sure. David Grubbs formed Gastr from the final lineup of Bastro; on Gastr’s del Sol’s debut, The Serpentine Similar, Grubbs, Bundy K. Brown and John McEntire downshifted from a thrashing electric outfit into a droning, acoustic-based one. Following this, the lineup shifted again, decisively – Brown and McEntire departed to focus on the project to be known as Tortoise, and Jim O’Rourke arrived, pairing with Grubbs to make a sequence of unpredictable leaps across genre and practical approach alike, over three LPs and a pair of EPs that threatened the passage of musical time as we knew it in the mid-90s.

We Have Dozens of Titles contains nearly an hour of previously unreleased live recordings, alongside another near-hour of studio recordings culled from previously uncollected singles, EPs, and compilations. At long last, vinyl purchasers will hear the full range of “The Harp Factory on Lake Street”, “Dead Cats in a Foghorn”, “Quietly Approaching” and “The Bells of St. Mary’s” for the first time EVER on vinyl – all of it, live and studio alike, lovingly mastered and remastered by Jim O’Rourke, and packaged in a three LP box set with a wicked Roman Signer image on its removable lid, interior printing on the box bottom and inner sleeves for each LP with performance credits for all the songs.

As much as Gastr del Sol’s albums showcase a group eminently at home in the studio, they were inclined to thoroughly reinvent their compositions in performance. While reviewing live tapes for this compilation, the studio versions of most things felt more and more definitive, with the exception of the live takes included here, which essay startling new qualities in pieces that have been in the public ear for several decades.

The majority of these live performances come from a miraculous find in the CBC archive – a broadcast-quality recording of Jim and David from the 1997 Festival International de Musique Actuelle de Victoriaville. This was the last time they performed together as Gastr del Sol, during which several still-gestating Camoufleur pieces were presented in radically different forms and Jim played organ on a track from David’s first solo album, the concert-closing, band closing (and now album-closing) version of "Onion Orange”.

The studio recordings included were originally released by the Red Hot Organization, God Mountain, Table of the Elements, Sony Japan, Teenbeat and Drag City. Studios utilized in the making of the material were Idful Music Corporation, Kingsize Soundlab and steamroom. The extended company of players on these numbers includes Jeb Bishop, Bundy K. Brown, Steve Butters, Gene Coleman, Thymme Jones, Terri Kapsalis, John McEntire, Günter Müller, Bob Weston and Sue Wolf – a virtual “what’s who wha'?!?” of Chicago’s hothouse scene in those times.

We Have Dozens of Titles revisits the slow-burning incendiaries of Gastr del Sol, finding, once again and after so much time elapsed, another, further set of reinventions from a group who continues to change the way we hear music.

We Have Dozens of Titles

Music EU

Discover We Have Dozens of Titles by Gastr Del Sol on vinyl from Drag City. Unreleased live performances and studio recordings redefine music genres.