Name: Lost Themes IV: Noir
Brand: John Carpenter, Cody Carpenter, Daniel Davies

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

9999

Format detail

Colour details

Oxblood Red with Black Marble Splatter.&nbsp;Plus Clear 7” with Exclusive Bonus Track “Black Cathedral” and Screen Printed B-Side

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: Yes

Rough Trade Exclusive

Rough Trade Exclusive: Yes

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2024-05-03

Format multiplier

Catalogue number

SBR336LPC5

UPC / Barcode

843563171974

Red LP | Rough Trade Exclusive

Tan and Black Marbled Vinyl. Plus Clear 7” with Exclusive Bonus Track “Black Cathedral” and Screen Printed B-Side 

Brown

Rough Trade Exclusive: No

Bonus disc: Yes

SBR336LPC4

0843563171967

Brown LP

Black

Extended format: No

SBR336LP

0843563171929

Black LP

Transparent Red

SBR336LPC3

0843563171950

Red LP

SBR336CD

0843563171998

Artist

John Carpenter

Cody Carpenter

Daniel Davies

Label EU

Sacred Bones Records

Genre EU

Jazz

Explore the hauntingly beautiful world of Sacred Bones Records—home to boundary-pushing artists who redefine the edges of sound. From eerie soundscapes to experimental anthems, this collection showcases the label’s most captivating releases. Dive into the dark and discover your next obsession today!

Vinyl variants, bonus material and signed editions exclusively available from Rough Trade.

John Carpenter is an American film director, screenwriter, producer, editor and composer. Born on January 16, 1948 in Carthage, New York, he is known for directing movies such as "Assault On Precinct 13", "The Fog", "Escape From New York", "The Thing", and "Halloween". Carpenter himself composed most of the soundtracks for his films, often collaborating with Alan Howarth. His father Howard Carpenter and son Cody Carpenter are also talented composer/musicians. He was previously married to actress Adrienne Barbeau from 1979 to 1984.

In addition to his work in film, John Carpenter's music has had a significant impact. In the eighties, dancey versions of his music were released on LPs and a series of 12" records. These recordings were created by [a243061], although their involvement was not always mentioned on the album sleeves.

With a diverse range of talents spanning multiple artistic disciplines, John Carpenter continues to be a prominent figure in the entertainment industry. His unique blend of directing and composing has left an indelible mark on cinema and music alike.

As we reach 2024's midway point, here are our favourite albums from our store turntables this year. For more, check our blog for the most important, influential and adored albums by our staff &gt;&gt;&nbsp;<a href="https://blog.roughtrade.com/gb/uk-albums-of-the-year-so-far-2024/">UK article</a>&nbsp;&amp; <a href="https://blog.roughtrade.com/us/us-album-of-the-year-so-far-2024/">US article</a>.

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The Sounds of Halloween

It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green’s trilogy of Halloween reboots. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.&nbsp;

Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.

The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.

Lost Themes IV: Noir

Music EU

Discover Lost Themes IV: Noir by Cody Carpenter on vinyl from Sacred Bones Records. Dive into the synth-driven world of film noir-inspired music.